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Alicia Paz

Der Garten Der Torheiten/The Garden of Follies

Parametry

  • 104 strony
  • 4 godziny czytania

Więcej o książce

Alicia Paz grew up in Mexico and studied in California, Paris and London. Her paintings seem infused with the interplay of impressions gathered at all of these stations - and her life path as an artist is exemplary for our time, with its borders and the cultural overlaps, mutual contemplations and reflections connected to this phenomenon. The invariably female personages appearing in her paintings, paper reliefs and recently also favoured medium of cut-out sculptures creates a role play of iridescent identities. The catalogue book provides both an overview of her painterly oeuvre of the recent years and an opportunity for readers to engage with her artistic thought process, which is visualized and made concrete here. By employing pictorial overlaps, embossing, glitter effects and special paper inlays, the book operates with a similar diversity in terms of visual components as the art works do, hereby giving this catalogue a decidedly object-like character.

Zakup książki

Alicia Paz, Jeannette Louie

Język
Rok wydania
2016
Oprawa
(miękka)
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Tytuł
Alicia Paz
Podtytuł
Der Garten Der Torheiten/The Garden of Follies
Język
angielski
Rok wydania
2016
Oprawa
miękka
Liczba stron
104
ISBN10
390300491X
ISBN13
9783903004917
Seria
Opis
Alicia Paz grew up in Mexico and studied in California, Paris and London. Her paintings seem infused with the interplay of impressions gathered at all of these stations - and her life path as an artist is exemplary for our time, with its borders and the cultural overlaps, mutual contemplations and reflections connected to this phenomenon. The invariably female personages appearing in her paintings, paper reliefs and recently also favoured medium of cut-out sculptures creates a role play of iridescent identities. The catalogue book provides both an overview of her painterly oeuvre of the recent years and an opportunity for readers to engage with her artistic thought process, which is visualized and made concrete here. By employing pictorial overlaps, embossing, glitter effects and special paper inlays, the book operates with a similar diversity in terms of visual components as the art works do, hereby giving this catalogue a decidedly object-like character.