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Die Bauwerke und Kunstdenkmäler von Berlin: Beihefte - 30: Die Ausstattung in den Kirchen des Berliner Kirchenbauvereins (1890-1905)

Mit einem Beitrag zur Ikonographie des Protestantismus

Parametry

  • 480 stron
  • 17 godzin czytania

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The focus is on 43 Protestant churches in Berlin, initiated by the Church Building Society established in 1890. The book documents the altar paintings, murals, and stained glass that were largely lost due to war, utilizing diverse archival materials. It centers on city parish churches that were built around the same time as the Kaiser Wilhelm Memorial Church and the Cathedral. While their exteriors still shape the districts today, much of the interior decoration has been lost. The work comprises two parts: a history of the interior design and a catalog. The catalog serves as a handbook, presenting each building with a site plan, images, and brief descriptions, while also cataloging the liturgical furnishings and the art that once existed. This documentation showcases the variety of church interiors, highlighting examples that remain largely intact, such as the Immanuel Church in Prenzlauer Berg and the Stephanus Church in Wedding. The visual representations extend beyond allegories of the Reformation and portraits of reformers, addressing themes such as the societal role of women in the Martha Church.

Zakup książki

Die Bauwerke und Kunstdenkmäler von Berlin: Beihefte - 30: Die Ausstattung in den Kirchen des Berliner Kirchenbauvereins (1890-1905), Angela Beeskow

Język
Rok wydania
2005
Oprawa
(twarda)
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Tytuł
Die Bauwerke und Kunstdenkmäler von Berlin: Beihefte - 30: Die Ausstattung in den Kirchen des Berliner Kirchenbauvereins (1890-1905)
Podtytuł
Mit einem Beitrag zur Ikonographie des Protestantismus
Język
niemiecki
Rok wydania
2005
Oprawa
twarda
Liczba stron
480
ISBN10
3786117659
ISBN13
9783786117650
Seria
Opis
The focus is on 43 Protestant churches in Berlin, initiated by the Church Building Society established in 1890. The book documents the altar paintings, murals, and stained glass that were largely lost due to war, utilizing diverse archival materials. It centers on city parish churches that were built around the same time as the Kaiser Wilhelm Memorial Church and the Cathedral. While their exteriors still shape the districts today, much of the interior decoration has been lost. The work comprises two parts: a history of the interior design and a catalog. The catalog serves as a handbook, presenting each building with a site plan, images, and brief descriptions, while also cataloging the liturgical furnishings and the art that once existed. This documentation showcases the variety of church interiors, highlighting examples that remain largely intact, such as the Immanuel Church in Prenzlauer Berg and the Stephanus Church in Wedding. The visual representations extend beyond allegories of the Reformation and portraits of reformers, addressing themes such as the societal role of women in the Martha Church.