Więcej o książce
“Watch any mother kneeling beside her toddler, pointing and explaining what they are looking at. Our urge to see, and to connect, starts there.” William Carter This book is both an autobiography of William Carter and a study of people. Carter’s photographs, beginning in 1960, take the viewer on his travels throughout the world, from home to New York and Kurdistan, from Dublin to Gaza. Whether working as a photojournalist or purely for himself, Carter focuses on the gestures and expressions of people (sometimes charming, sometimes unsettling), and on streets and landscapes that often long for human presence. The subtitle “Photographs from Five Decades” might seem misleading as it implies a “typical” photobook where the sequence of images is primary. For Carter, however, it is the interplay between his photographs and writings that allows him to see into himself and his subjects: indeed he calls himself a “photographer-writer”. In Carter’s words, his work aims to capture the “hidden implications, eye-blink compositions, odd ironies and happy accidents” of the world.
Zakup książki
Causes and Spirits, William Carter
- Język
- Rok wydania
- 2011
- Oprawa
- (twarda)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Causes and Spirits
- Podtytuł
- Photographs From Five Decades
- Język
- angielski
- Autorzy
- William Carter
- Wydawca
- Steidl
- Rok wydania
- 2011
- Oprawa
- twarda
- Liczba stron
- 293
- ISBN10
- 3869301236
- ISBN13
- 9783869301235
- Seria
- Ocena
- 5 z 5
- Opis
- “Watch any mother kneeling beside her toddler, pointing and explaining what they are looking at. Our urge to see, and to connect, starts there.” William Carter This book is both an autobiography of William Carter and a study of people. Carter’s photographs, beginning in 1960, take the viewer on his travels throughout the world, from home to New York and Kurdistan, from Dublin to Gaza. Whether working as a photojournalist or purely for himself, Carter focuses on the gestures and expressions of people (sometimes charming, sometimes unsettling), and on streets and landscapes that often long for human presence. The subtitle “Photographs from Five Decades” might seem misleading as it implies a “typical” photobook where the sequence of images is primary. For Carter, however, it is the interplay between his photographs and writings that allows him to see into himself and his subjects: indeed he calls himself a “photographer-writer”. In Carter’s words, his work aims to capture the “hidden implications, eye-blink compositions, odd ironies and happy accidents” of the world.
