Więcej o książce
Industrially prefabricated objects dominate works by Birgit Werres, yet they enter into heterogeneous combinations with additional elements made by the artist. Birgit Werres finds her materials in warehouses and at industrial production sites, where she encounters the things that arouse her aesthetic interest, which has been fine-tuned for many years. She initially studied under Tony Cragg, before graduating from Irmin Kamp's class. Her rededication of profane figurativeness is carried out in sequences, stratifications, or composite materials. In such works, the artist continues to expand on formal characteristics such as volume, texture, and structure. The striking intrinsic color of the materials tends to be of great significance. In contrast to the monumental corporeality of the objects, it additionally obscures the origin, function, and properties of the material. Her unconventional sculptures and installations are quite often mentioned in reference to works by Robert Smithson, Barry Le Va, Richard Artschwager, and Richard Serra.
Zakup książki
Samples for Pieces - Maybe, Birgit Werres, Laura Kienbaum, Jochen Kienbaum
- Język
- Rok wydania
- 2018
- Oprawa
- (twarda)
Metody płatności
Nikt jeszcze nie ocenił.
- Tytuł
- Samples for Pieces - Maybe
- Język
- angielski
- Autorzy
- Birgit Werres, Laura Kienbaum, Jochen Kienbaum
- Wydawca
- Snoeck Publishing Company
- Rok wydania
- 2018
- Oprawa
- twarda
- Liczba stron
- 93
- ISBN10
- 3864422744
- ISBN13
- 9783864422744
- Seria
- Tagi
- Tematy historyczne, Sztuka, Rzeźba
- Opis
- Industrially prefabricated objects dominate works by Birgit Werres, yet they enter into heterogeneous combinations with additional elements made by the artist. Birgit Werres finds her materials in warehouses and at industrial production sites, where she encounters the things that arouse her aesthetic interest, which has been fine-tuned for many years. She initially studied under Tony Cragg, before graduating from Irmin Kamp's class. Her rededication of profane figurativeness is carried out in sequences, stratifications, or composite materials. In such works, the artist continues to expand on formal characteristics such as volume, texture, and structure. The striking intrinsic color of the materials tends to be of great significance. In contrast to the monumental corporeality of the objects, it additionally obscures the origin, function, and properties of the material. Her unconventional sculptures and installations are quite often mentioned in reference to works by Robert Smithson, Barry Le Va, Richard Artschwager, and Richard Serra.


