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Eurojazzland

Jazz and European Sources, Dynamics, and Contexts

Ocena książki

Parametry

  • 456 stron
  • 16 godzin czytania

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It is often said that jazz is America's great gift to the world, but while true, this belies the surprising, often crucial role that Europe has played in the development and popularity of jazz throughout the world. Based on a series of symposia attracting leading scholars, critics, and musicians from throughout Europe and the United States, Eurojazzland first addresses the impact of European musical traditions and instruments on the formation and development of American jazz. Part two details the vital experiences of American musicians on European soil, from black minstrels to such jazz greats as Benny Carter and Duke Ellington, and deals with European jazzmen and their developments of American jazz styles. The final part chronicles the importance of European critics and musicologists in jazz criticism and offers essays on European contributions to jazz musicianship and production. Eurojazzland proves that jazz is simply too rich and varied for one country to claim, define, or contain. This groundbreaking collection will appeal to jazz aficionados, scholars, musicologists, and musicians.

Zakup książki

Eurojazzland, Luca Cerchiari, Laurent Cugny, Franz Kerschbaumer

Język
Rok wydania
2012
Oprawa
(twarda)
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Metody płatności

3,4
Dobra
3 Ocena

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Tytuł
Eurojazzland
Podtytuł
Jazz and European Sources, Dynamics, and Contexts
Język
angielski
Rok wydania
2012
Oprawa
twarda
Liczba stron
456
ISBN10
1584658649
ISBN13
9781584658641
Seria
Ocena
3,35 z 5
Opis
It is often said that jazz is America's great gift to the world, but while true, this belies the surprising, often crucial role that Europe has played in the development and popularity of jazz throughout the world. Based on a series of symposia attracting leading scholars, critics, and musicians from throughout Europe and the United States, Eurojazzland first addresses the impact of European musical traditions and instruments on the formation and development of American jazz. Part two details the vital experiences of American musicians on European soil, from black minstrels to such jazz greats as Benny Carter and Duke Ellington, and deals with European jazzmen and their developments of American jazz styles. The final part chronicles the importance of European critics and musicologists in jazz criticism and offers essays on European contributions to jazz musicianship and production. Eurojazzland proves that jazz is simply too rich and varied for one country to claim, define, or contain. This groundbreaking collection will appeal to jazz aficionados, scholars, musicologists, and musicians.