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Writing Architecture: Fire and Memory

On Architecture and Energy

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  • 325 stron
  • 12 godzin czytania

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Architecture and fire, construction and combustion, meet in this poetic treatise on energy in building.In Fire and Memory, Luis Fernández-Galiano reconstructs the movement from cold to warm architecture, from building fire to building a building with and for fire, through what he calls a metaphorical plundering of disciplines as diverse as anthropology and economics, and in particular of ecology and thermodynamics. Beginning with the mythical fire in the origins of architecture and moving to its symbolic representation in the twentieth century, Galiano develops a theoretical dialogue between combustion and construction that ranges from Vitruvius to Le Corbusier, from the mechanical and organic to time and entropy. Galiano points out that energy, so important to the origin of architectural theory in Vitruvius's time, has been absent from architectural theory since the introduction of the dictatorship of the eye over that of the skin. With Fire and Memory, he reintroduces energy to the discussion of architecture and reminds us that the sense of touch is as necessary to an understanding of the environment as the sense of sight.

Zakup książki

Writing Architecture: Fire and Memory, Luis Fernández-Galiano, Gina Cariño

Język
Rok wydania
2000
Oprawa
(miękka)
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Tytuł
Writing Architecture: Fire and Memory
Podtytuł
On Architecture and Energy
Język
angielski
Wydawca
MIT Press
Rok wydania
2000
Oprawa
miękka
Liczba stron
325
ISBN10
0262561336
ISBN13
9780262561334
Seria
Ocena
4,35 z 5
Opis
Architecture and fire, construction and combustion, meet in this poetic treatise on energy in building.In Fire and Memory, Luis Fernández-Galiano reconstructs the movement from cold to warm architecture, from building fire to building a building with and for fire, through what he calls a metaphorical plundering of disciplines as diverse as anthropology and economics, and in particular of ecology and thermodynamics. Beginning with the mythical fire in the origins of architecture and moving to its symbolic representation in the twentieth century, Galiano develops a theoretical dialogue between combustion and construction that ranges from Vitruvius to Le Corbusier, from the mechanical and organic to time and entropy. Galiano points out that energy, so important to the origin of architectural theory in Vitruvius's time, has been absent from architectural theory since the introduction of the dictatorship of the eye over that of the skin. With Fire and Memory, he reintroduces energy to the discussion of architecture and reminds us that the sense of touch is as necessary to an understanding of the environment as the sense of sight.