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The Intimate World of Alexander Calder

Parametry

  • 398 stron
  • 14 godzin czytania

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From Publisher's Many of Calder's sculptures and objects documented in this irresistible album are closer to decorative art than are his monumental works, yet that in no way diminishes their intrinsic interest. His painted metallic fishes, jostling with fragments of glass and ceramic shards, seem almost mythical. His ingenious, kinetic birds capture motion on the wing. Miniature mobiles, delicately balanced microcosms, prefigure the larger ones. In jewelry design, Calder was first and foremost a sculptor, delving into ancient, tribal and modern sources. Also here are wire portrait-sculptures, toys, stabiles, paintings, drawings, as well as family photographs. Marchesseau, curator of the Musee des Arts Decoratifs in Paris, organized an international exhibit on which this biographical-critical study is based. The book is an intimate, unstuffy look at an artist who merged seriousness and playfulness in ways that expunged divisions between ``high'' and ``low'' art. (Apr.)

Zakup książki

The Intimate World of Alexander Calder, Daniel Marchesseau

Język
Rok wydania
1989
Oprawa
(twarda)
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Tytuł
The Intimate World of Alexander Calder
Język
angielski
Rok wydania
1989
Oprawa
twarda
Liczba stron
398
ISBN10
0810911310
ISBN13
9780810911314
Seria
Tagi
Sztuka
Opis
From Publisher's Many of Calder's sculptures and objects documented in this irresistible album are closer to decorative art than are his monumental works, yet that in no way diminishes their intrinsic interest. His painted metallic fishes, jostling with fragments of glass and ceramic shards, seem almost mythical. His ingenious, kinetic birds capture motion on the wing. Miniature mobiles, delicately balanced microcosms, prefigure the larger ones. In jewelry design, Calder was first and foremost a sculptor, delving into ancient, tribal and modern sources. Also here are wire portrait-sculptures, toys, stabiles, paintings, drawings, as well as family photographs. Marchesseau, curator of the Musee des Arts Decoratifs in Paris, organized an international exhibit on which this biographical-critical study is based. The book is an intimate, unstuffy look at an artist who merged seriousness and playfulness in ways that expunged divisions between ``high'' and ``low'' art. (Apr.)