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Chloe Plus Olivia

An Anthology of Lesbian Literature from the Seventeenth Century to the Present - Winner of the Lambda Literary Award

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In this groundbreaking anthology, Lillian Faderman aims to redefine four centuries of lesbian literature, addressing a long-standing gap with a comprehensive collection of works by lesbian writers, each contextualized historically and literarily. This scholarly work illuminates the evolving concept of "lesbian literature" and explores six distinct genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism. Faderman analyzes a diverse array of texts, including Willa Cather's My Antonia and Virginia Woolf's Orlando, alongside poetry from Gertrude Stein and Amy Lowell, and fiction by Carson McCullers, Helen Hull, and Alice Walker. The anthology also features writings by men who explored women's relationships, highlighting their role in the development of lesbian literature, especially in eras when women faced greater challenges in publishing. The fluid nature of lesbian writing, shaped by changing social attitudes and women's voices, defies the notion of a singular "great tradition." Faderman's personal quest for a definition of lesbian literature enriches the historical scope of this pioneering work, establishing it as a foundational reference for future studies in the field.

Zakup książki

Chloe Plus Olivia, Lillian Faderman, Katharine Lee Bates, William Rounseville Alger, Djuna Barnes

Język
Rok wydania
1995
Oprawa
(miękka)
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Tytuł
Chloe Plus Olivia
Podtytuł
An Anthology of Lesbian Literature from the Seventeenth Century to the Present - Winner of the Lambda Literary Award
Język
angielski
Rok wydania
1995
Oprawa
miękka
Liczba stron
848
ISBN10
0140172483
ISBN13
9780140172485
Seria
Opis
In this groundbreaking anthology, Lillian Faderman aims to redefine four centuries of lesbian literature, addressing a long-standing gap with a comprehensive collection of works by lesbian writers, each contextualized historically and literarily. This scholarly work illuminates the evolving concept of "lesbian literature" and explores six distinct genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism. Faderman analyzes a diverse array of texts, including Willa Cather's My Antonia and Virginia Woolf's Orlando, alongside poetry from Gertrude Stein and Amy Lowell, and fiction by Carson McCullers, Helen Hull, and Alice Walker. The anthology also features writings by men who explored women's relationships, highlighting their role in the development of lesbian literature, especially in eras when women faced greater challenges in publishing. The fluid nature of lesbian writing, shaped by changing social attitudes and women's voices, defies the notion of a singular "great tradition." Faderman's personal quest for a definition of lesbian literature enriches the historical scope of this pioneering work, establishing it as a foundational reference for future studies in the field.