Bookbot

Hiding Man

A Biography of Donald Barthelme

Więcej o książce

A "NEW YORK TIMES BOOK REVIEW" EDITORS' CHOICE During his fifty-eight-year lifetime Donald Barthelme published more than one hundred short stories in The New Yorker and authored sixteen books. He was a contemporary and friend of Kurt Vonnegut, Thomas Pynchon, Susan Sontag, and Norman Mailer, and has received recent tributes from Dave Eggers and George Saunders. He had a volatile private life and his search for a place in American letters took him across the country, briefly to Denmark, and through a host of occupations. When he wasn't hiding, he was passionately searching and living. Barthelme's writing is a found-art-style mix of pop culture and high literature that is surprisingly funny and playful. This "excellent biography" ("The New Yorker") "pursue[s] Barthelme's art to its shuddering core. . . . The enthusiasm is catching" ("The Wall Street Journal").

Zakup książki

Hiding Man, Tracy Daugherty

Język
Rok wydania
2010
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

Nikt jeszcze nie ocenił.

Tytuł
Hiding Man
Podtytuł
A Biography of Donald Barthelme
Język
angielski
Wydawca
Picador
Rok wydania
2010
Oprawa
miękka
Liczba stron
581
ISBN10
0312429304
ISBN13
9780312429300
Seria
Opis
A "NEW YORK TIMES BOOK REVIEW" EDITORS' CHOICE During his fifty-eight-year lifetime Donald Barthelme published more than one hundred short stories in The New Yorker and authored sixteen books. He was a contemporary and friend of Kurt Vonnegut, Thomas Pynchon, Susan Sontag, and Norman Mailer, and has received recent tributes from Dave Eggers and George Saunders. He had a volatile private life and his search for a place in American letters took him across the country, briefly to Denmark, and through a host of occupations. When he wasn't hiding, he was passionately searching and living. Barthelme's writing is a found-art-style mix of pop culture and high literature that is surprisingly funny and playful. This "excellent biography" ("The New Yorker") "pursue[s] Barthelme's art to its shuddering core. . . . The enthusiasm is catching" ("The Wall Street Journal").