Bookbot

Penguin Classics: Nightmare Abbey & Crotchet Castle

Parametry

  • 283 strony
  • 10 godzin czytania

Więcej o książce

Thomas Love Peacock is literature's perfect individualist.He has points in common with Aristophanes, Plato, Rabelais, Voltaire, and even Aldous Huxley, but resembles none of them; we can talk of the satirical novel of ideas, but his satire is too cheery and good-natured, his novel too rambling, and his ideas too jovially destructive for the label to stick.A romantic in his youth and a friend of Shelley, he happily made hay of the romantic movement in Nightmare Abbey, clamping Coleridge, Byron, and Shelley himself in a kind of painless pillory. And in Crotchet Castle he did no less for the political economists, pitting his gifts of exaggeration and ridicule against scientific progress and March of Mind. Yet the romantic in him never died: the long, witty, and indecisive talk of his characters is set in wild, natural scenery which Peacock describes with true feeling.

Zakup książki

Penguin Classics: Nightmare Abbey & Crotchet Castle, Thomas Love Peacock, Raymond Wright

Język
Rok wydania
1986
Oprawa
(miękka),
Stan książki
Uszkodzony
Cena
10,58 zł

Metody płatności

Nikt jeszcze nie ocenił.Oceń

Tytuł
Penguin Classics: Nightmare Abbey & Crotchet Castle
Rok wydania
1986
Oprawa
miękka
Liczba stron
283
ISBN10
0140430458
ISBN13
9780140430455
Seria
Kategorie
Opis
Thomas Love Peacock is literature's perfect individualist.He has points in common with Aristophanes, Plato, Rabelais, Voltaire, and even Aldous Huxley, but resembles none of them; we can talk of the satirical novel of ideas, but his satire is too cheery and good-natured, his novel too rambling, and his ideas too jovially destructive for the label to stick.A romantic in his youth and a friend of Shelley, he happily made hay of the romantic movement in Nightmare Abbey, clamping Coleridge, Byron, and Shelley himself in a kind of painless pillory. And in Crotchet Castle he did no less for the political economists, pitting his gifts of exaggeration and ridicule against scientific progress and March of Mind. Yet the romantic in him never died: the long, witty, and indecisive talk of his characters is set in wild, natural scenery which Peacock describes with true feeling.