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The artists featured in The Black Index —Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice—a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers’ desire for classification and, instead, redirects them toward alternative information.
Zakup książki
The Black Index, Bridget R. Cooks
- Język
- Rok wydania
- 2020
- Oprawa
- (twarda),
- Stan książki
- Dobry
- Cena
- 69,35 zł
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- The Black Index
- Podtytuł
- Hunter College Art Galleries
- Autorzy
- Bridget R. Cooks
- Wydawca
- Hirmer
- Rok wydania
- 2020
- Oprawa
- twarda
- Liczba stron
- 128
- ISBN10
- 3777435961
- ISBN13
- 9783777435961
- Seria
- Tagi
- Architektura
- Ocena
- 5 z 5
- Opis
- The artists featured in The Black Index —Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice—a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers’ desire for classification and, instead, redirects them toward alternative information.


