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The Black Index

Hunter College Art Galleries

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  • 128 stron
  • 5 godzin czytania

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The artists featured in The Black Index —Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice—a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers’ desire for classification and, instead, redirects them toward alternative information.

Zakup książki

The Black Index, Bridget R. Cooks

Język
Rok wydania
2020
Oprawa
(twarda),
Stan książki
Dobry
Cena
69,35 zł

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5,0
Doskonała
1 Ocena

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Tytuł
The Black Index
Podtytuł
Hunter College Art Galleries
Wydawca
Hirmer
Rok wydania
2020
Oprawa
twarda
Liczba stron
128
ISBN10
3777435961
ISBN13
9783777435961
Seria
Ocena
5 z 5
Opis
The artists featured in The Black Index —Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice—a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers’ desire for classification and, instead, redirects them toward alternative information.