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Courts and Courtly Arts in Renaissance Italy

Arts and Politics 1395-1530

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  • 444 strony
  • 16 godzin czytania

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Italian Renaissance art is deeply connected to the development of courts and court culture across Italy. The patronage of ruling families in small city-states significantly contributed to the flourishing of the figurative arts, architecture, music, literature, and theater. The volume opens with an introduction by Marco Folin, addressing critical issues of court art and its historiography, followed by an essay detailing the historical and geographical context of Renaissance Italy, supported by 18 specially-made maps that illustrate the country's complexity in the 15th century. It explores princely patronage's influence on music and literature, linking humanists at court to music's role in propaganda, the emergence of theatrical representations, and the rise of the printing press, including notable works like Castiglione's Book of the Courtier and Ariosto's Orlando Furioso. The second, more extensive section is organized geographically, covering major courts such as Milan, Mantua, and Rome, as well as minor courts in northern and central Italy. The chapters are complemented by essays on various aspects of Renaissance culture, including the courts of cardinals and southern barons, and the patronage of condottieri. Contributions from renowned Italian scholars are accompanied by rich iconography, showcasing both famous and lesser-known artworks. The volume concludes with an annotated bibliography and an index of names and places.

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Courts and Courtly Arts in Renaissance Italy, Marco Folin

Język
Rok wydania
2010
Oprawa
(twarda)
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Tytuł
Courts and Courtly Arts in Renaissance Italy
Podtytuł
Arts and Politics 1395-1530
Język
angielski
Rok wydania
2010
Oprawa
twarda
Liczba stron
444
ISBN10
1851496432
ISBN13
9781851496433
Seria
Opis
Italian Renaissance art is deeply connected to the development of courts and court culture across Italy. The patronage of ruling families in small city-states significantly contributed to the flourishing of the figurative arts, architecture, music, literature, and theater. The volume opens with an introduction by Marco Folin, addressing critical issues of court art and its historiography, followed by an essay detailing the historical and geographical context of Renaissance Italy, supported by 18 specially-made maps that illustrate the country's complexity in the 15th century. It explores princely patronage's influence on music and literature, linking humanists at court to music's role in propaganda, the emergence of theatrical representations, and the rise of the printing press, including notable works like Castiglione's Book of the Courtier and Ariosto's Orlando Furioso. The second, more extensive section is organized geographically, covering major courts such as Milan, Mantua, and Rome, as well as minor courts in northern and central Italy. The chapters are complemented by essays on various aspects of Renaissance culture, including the courts of cardinals and southern barons, and the patronage of condottieri. Contributions from renowned Italian scholars are accompanied by rich iconography, showcasing both famous and lesser-known artworks. The volume concludes with an annotated bibliography and an index of names and places.