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The Medieval Imagination: Beasts

Factual & Fantastic

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  • 112 stron
  • 4 godziny czytania

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Manuscripts of the middle ages teem with pictures of animals, ranging from fierce hunting hawks tied to their owners' wrists, to proud lions added to the coasts of arms of noblemen, to terrify monsters of the Apocalypse. The images in this volume provide a window onto a time when animals both factual and fantastic played a leading role in the medieval imagination. series of small, affordable books that will draw on manuscript illuminations from the Middle Ages and early Renaissance. Each volume will focus on a particular theme or subject as represented by medieval artists. Often, as in the case of the imaginary beasts that readers will encounter in this volume, artists depicted that which they did not see or know, but which was nonetheless shaped by the prevailing beliefs, fears, and rudimentary science of the time. In other cases, manuscript illuminators recorded what they indeed did see - which, centuries later, reveals much about the world in which they lived.

Zakup książki

The Medieval Imagination: Beasts, Elizabeth Morrison

Język
Rok wydania
2007
Oprawa
(twarda),
Stan książki
Bardzo dobry
Cena
241,84 zł

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Tytuł
The Medieval Imagination: Beasts
Podtytuł
Factual & Fantastic
Język
angielski
Rok wydania
2007
Oprawa
twarda
Liczba stron
112
ISBN10
071234991X
ISBN13
9780712349918
Seria
Opis
Manuscripts of the middle ages teem with pictures of animals, ranging from fierce hunting hawks tied to their owners' wrists, to proud lions added to the coasts of arms of noblemen, to terrify monsters of the Apocalypse. The images in this volume provide a window onto a time when animals both factual and fantastic played a leading role in the medieval imagination. series of small, affordable books that will draw on manuscript illuminations from the Middle Ages and early Renaissance. Each volume will focus on a particular theme or subject as represented by medieval artists. Often, as in the case of the imaginary beasts that readers will encounter in this volume, artists depicted that which they did not see or know, but which was nonetheless shaped by the prevailing beliefs, fears, and rudimentary science of the time. In other cases, manuscript illuminators recorded what they indeed did see - which, centuries later, reveals much about the world in which they lived.