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Angela Grauerholz

Parametry

  • 240 stron
  • 9 godzin czytania

Więcej o książce

Over the course of her career, Angela Grauerholz has created a subjective vision of our world, full of intimate moments that reveal the passage of time. Her spaces are filled with people, glimpses of public and private interiors, and ethereal rural and urban landscapes. The out-of-focus quality of her photographs transforms them into a stream of consciousness, generating a sense of collective memory. She considers this approach “a representation of our experience: a continuous prodding into something that escapes us continuously.” Turning away from the single image shown on the wall, her photographs are displayed inside cabinets, in portfolios or on sliding panels. This method creates new viewing possibilities, opens up narrative potential, and pushes the concept of the archive to reveal its potentially endless thematic categories and points of entry. Grauerholz’s attention to how the medium is displayed and experienced makes the viewer an active participant in her photographic universe.

Zakup książki

Angela Grauerholz, Angela Grauerholz, Eduardo Ralickas

Język
Rok wydania
2016
Oprawa
(twarda)
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Tytuł
Angela Grauerholz
Język
angielski
Wydawca
Steidl
Rok wydania
2016
Oprawa
twarda
Liczba stron
240
ISBN10
3958291228
ISBN13
9783958291225
Seria
Opis
Over the course of her career, Angela Grauerholz has created a subjective vision of our world, full of intimate moments that reveal the passage of time. Her spaces are filled with people, glimpses of public and private interiors, and ethereal rural and urban landscapes. The out-of-focus quality of her photographs transforms them into a stream of consciousness, generating a sense of collective memory. She considers this approach “a representation of our experience: a continuous prodding into something that escapes us continuously.” Turning away from the single image shown on the wall, her photographs are displayed inside cabinets, in portfolios or on sliding panels. This method creates new viewing possibilities, opens up narrative potential, and pushes the concept of the archive to reveal its potentially endless thematic categories and points of entry. Grauerholz’s attention to how the medium is displayed and experienced makes the viewer an active participant in her photographic universe.