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Vintage Classics: Why Read the Classics?

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From the internationally-acclaimed author of some of this century's most breathtakingly original novels comes this posthumous collection of thirty-six literary essays that will make any fortunate reader view the old classics in a dazzling new light. Learn why Lara, not Zhivago, is the center of Pasternak's masterpiece, <b>Dr. Zhivago</b>, and why Cyrano de Bergerac is the forerunner of modern-day science-fiction writers. Learn how many odysseys <b>The Odyssey</b> contains, and why Hemingway's Nick Adams stories are a pinnacle of twentieth-century literature. From Ovid to Pavese, Xenophon to Dickens, Galileo to Gadda, Calvino covers the classics he has loved most with essays that are fresh, accessible, and wise. <b>Why Read the Classics?</b> firmly establishes Calvino among the rare likes of Nabokov, Borges, and Lawrence--writers whose criticism is as vibrant and unique as their groundbreaking fiction.

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Vintage Classics: Why Read the Classics?, Italo Calvino

Język
Rok wydania
2000
Oprawa
(miękka),
Stan książki
Dobry
Cena
44,69 zł

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Tytuł
Vintage Classics: Why Read the Classics?
Język
angielski
Wydawca
Vintage
Rok wydania
2000
Oprawa
miękka
Liczba stron
288
ISBN10
0099284898
ISBN13
9780099284895
Seria
Opis
From the internationally-acclaimed author of some of this century's most breathtakingly original novels comes this posthumous collection of thirty-six literary essays that will make any fortunate reader view the old classics in a dazzling new light. Learn why Lara, not Zhivago, is the center of Pasternak's masterpiece, <b>Dr. Zhivago</b>, and why Cyrano de Bergerac is the forerunner of modern-day science-fiction writers. Learn how many odysseys <b>The Odyssey</b> contains, and why Hemingway's Nick Adams stories are a pinnacle of twentieth-century literature. From Ovid to Pavese, Xenophon to Dickens, Galileo to Gadda, Calvino covers the classics he has loved most with essays that are fresh, accessible, and wise. <b>Why Read the Classics?</b> firmly establishes Calvino among the rare likes of Nabokov, Borges, and Lawrence--writers whose criticism is as vibrant and unique as their groundbreaking fiction.