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Mainly the Truth

Interviews with Mark Twain

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  • 281 stron
  • 10 godzin czytania

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Mainly the Interviews with Mark Twain is a collection of the most colorful and vivacious interviews that Mark Twain gave to newspapers and reporters throughout his career. A master storyteller and raconteur, Twain understood the value of publicity, and these interviews capture Twain both at his most lively and in moments of candor and introspection. In his interviews, Twain discussed such topical issues as hazing and civil service reform, and more enduring concerns, such as his lecture style, his writings, government corruption, humor, his bankruptcy, racism, women’s suffrage, imperialism, international copyright, and his impressions of other writers (Howells, Gorky, George Bernard Shaw, Tennyson, Longfellow, Kipling, Hawthorne, Dickens, Bret Harte, among others). These interviews are both oral performances in their own right and a new basis for evaluating contemporary responses to Twain’s writings.

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Mainly the Truth, Gary Scharnhorst, Mark Twain

Język
Rok wydania
2009
Oprawa
(miękka)
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Tytuł
Mainly the Truth
Podtytuł
Interviews with Mark Twain
Język
angielski
Rok wydania
2009
Oprawa
miękka
Liczba stron
281
ISBN10
0817355391
ISBN13
9780817355395
Seria
Opis
Mainly the Interviews with Mark Twain is a collection of the most colorful and vivacious interviews that Mark Twain gave to newspapers and reporters throughout his career. A master storyteller and raconteur, Twain understood the value of publicity, and these interviews capture Twain both at his most lively and in moments of candor and introspection. In his interviews, Twain discussed such topical issues as hazing and civil service reform, and more enduring concerns, such as his lecture style, his writings, government corruption, humor, his bankruptcy, racism, women’s suffrage, imperialism, international copyright, and his impressions of other writers (Howells, Gorky, George Bernard Shaw, Tennyson, Longfellow, Kipling, Hawthorne, Dickens, Bret Harte, among others). These interviews are both oral performances in their own right and a new basis for evaluating contemporary responses to Twain’s writings.