The Fervent Years
The Group Theatre and the 30's
Autorzy
Parametry
- 329 stron
- 12 godzin czytania
Więcej o książce
The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.
Zakup książki
The Fervent Years, Stella Adler, Harold Clurman
- Język
- Rok wydania
- 1983
- Oprawa
- (miękka),
- Stan książki
- Uszkodzony
- Cena
- 48,99 zł
Metody płatności
Nikt jeszcze nie ocenił.
- Tytuł
- The Fervent Years
- Podtytuł
- The Group Theatre and the 30's
- Język
- angielski
- Autorzy
- Stella Adler, Harold Clurman
- Wydawca
- Da Capo Press
- Rok wydania
- 1983
- Oprawa
- miękka
- Liczba stron
- 329
- ISBN10
- 0306801868
- ISBN13
- 9780306801860
- Seria
- Kategorie
- Tagi
- Tematy historyczne, Tematyka muzyczna, Polityka, USA, Teatr, XX wiek, Sztuki performatywne, Muzikale
- Opis
- The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.




