This new edition of Nietzsche's discussion of the nature of art, science, and religion, expounds on the origins of Greek tragedy and its relevance to the German culture of its time. The book's argument raises important questions about the problematic nature of cultural origins, which are still valid today.
Offers a philosophical account of the phenomenon of friendship, looking at its value in living a good life, some of the potential pitfalls and moral difficulties associated with it, and how our friends profoundly affect who we are.
When the author wrote it in the immediate aftermath of World War II, most scholars outside Germany viewed Nietzsche as part madman, part proto-Nazi, and almost wholly unphilosophical. This title offers an account of his life and works, and of the uses and abuses to which subsequent generations had put his ideas.
Argues that Nietzsche tried to create a specific literary character in his writings and discusses the paradoxes of his work.