Hardly anyone knew Diana. Yet on her death the world mourned. We all think we know David Beckham, but millions of us only know him through his photographs. The result is that the photograph becomes more real than the actual person. The author uses celebrity look-alikes to create images that questions the truth and blurs that fine line.
Alison Jackson presents a humorous collection of photographs that captures the essence of the royal wedding between Kate and Wills, the most anticipated British nuptials since Charles and Diana. This chronological retelling explores their romance, from their genealogical backgrounds to the wedding day itself. It highlights Kate's preparations, including her ring-gazing, gym routine, and daily grooming, alongside Wills' proposal planning and public announcement practice. The fun of wedding preparations is showcased, featuring guest list creation, menu design, and wedding dress selection, with celebrity attendees like Elton John and the Beckhams trying on outfits for the occasion. This whimsical tour answers burning questions: How did shy student Wills approach Kate? What strategies did Kate employ to become "Queen material"? What transpired during Wills' proposal in the African bush? The narrative also touches on the emotions of their families, particularly Charles, who might feel overshadowed by his son. Additionally, it includes stag and hen nights, gifts from global leaders, and exclusive shots from the Big Day that are rarely seen elsewhere.
Alison Jackson a photographié la reine d'Angleterre au petit coin, George Bush et Tony Blair taillant une bavette dans un sauna, Mick Jagger faisant sa gym et Monica Lewinsky allumant le cigare de Bill Clinton. Mais... est-ce vraiment eux ? La ressemblance est troublante, toutefois ses sujets sont des sosies. Ses images démontrent que s'il faut le voir pour le croire, la vérité est ailleurs. Dans son travail, explique-t-elle, " la ressemblance devient réalité et le fantasme empiète sur le possible. L'incrédulité du spectateur est suspendue. J'essaie de souligner le lien psychologique entre ce que nous voyons et ce que nous imaginons. Il est indissociable de notre besoin de regarder (notre voyeurisme) et de notre besoin de croire. " Ainsi, en montrant des célébrités prétendument prises à leur insu, les photos de Jackson nous montrent ce que nous imaginons se passer en coulisses. Si son œuvre suscite la controverse, c'est notamment parce qu'elle s'aventure dans cette zone d'ombre entre la parodie et le réalisme en faisant tomber les remparts soigneusement protégés de l'intimité des personnages publics.