Michalis Pichler Książki

Publishing Manifestos spans nearly 100 years, beginning with figures like Gertrude Stein and El Lissitsky, who represent early modernist avant-garde and Russian constructivism. The majority of the material is from the 21st century, reflecting our current context as artists and individuals. In recent years, independent publishing, art publishing, and DIY culture have experienced remarkable growth. This collection includes critical texts from key figures in the field, such as Tauba Auerbach, Michael Baers, Derek Beaulieu, and Jorge Luis Borges, among many others. These contributions highlight diverse perspectives on publishing as an artistic practice and counterculture. The book also features a comprehensive WHO IS WHO of publishers involved in the Miss Read festival, with 600 entries detailing their activities since the festival's inception in 2009. This extensive compilation not only showcases influential voices but also serves as a vital resource for understanding the evolving landscape of publishing today.

Independent publishing, art publishing, and related movements such as zines and DIY have surged in the past two decades, coinciding with the rise of art book fairs as vital venues for artistic expression. This resurgence mirrors a similar boom in the 1960s and 1970s, influenced by the culture's "linguistic turn." Today, art publishing faces the challenges posed by the internet's overwhelming flow of language and imagery, yet the printed book remains a crucial medium for artists seeking visibility and tangibility. This collection gathers diverse texts from artists, authors, editors, and activists, exploring the expanding landscape of art practice. It begins with historical contributions from figures like Gertrude Stein and Jorge-Luis Borges, while the majority of texts are contemporary, featuring voices such as Tauba Auerbach and Temporary Services. Contributors discuss innovative production methods, the political potential of publishing, and the collective power of bookmaking, addressing themes like artists' books, appropriation, and queer identities. Many texts are presented in facsimile, including a unique handwritten newspaper from South Africa. The collection encompasses a range of tones—from mission statements to playful explorations—laying the conceptual groundwork for this evolving field of practice and theory.