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Daniel Buchholz

    Cerith Wyn Evans
    Isa Genzken. Außenprojekte / Projects for Outside
    • Isa Genzken is one of the most important, multifaceted, always surprising artists working anywhere worldwide. This is evidenced not only by her large-scale exhibitions of recent years, but also by her repeated participation in the documenta in Kassel, the Biennale in Venice or Skulptur Projekte in Mu¿nster. She is known for her enormous creative energy and the ability, implicit in her work, to repeatedly reposition herself with artistic curiosity. Her realized and unrealized outdoor sculptures and projects for the public space show the artist's interest in space and the (in this case architectural) environment. Operating in the field of tension between architecture and art, she questions principles of proportions and the relationship between object and viewer, and examines the ways in which perceptions of public space inform and condition our consciousness.

      Isa Genzken. Außenprojekte / Projects for Outside2020
      5,0
    • Cerith Wyn Evans

      • 200 stron
      • 7 godzin czytania

      "I had to come up with a "title", and I thought: 'Oh, God. Where do you begin?' The set of references becomes like an endless chain. In this very Klossowskian way there is this notion of the dematerialisation of the proper noun."--Cerith Wyn Evans The Welsh artist Cerith Wyn Evans (*1958) eludes easy categorization: in the mid-eighties, he worked as an assistant to the film director Derek Jarman, making both experimental films and music videos for pop bands such as The Smiths and The Fall; he also was a tutor for six years at the Architectural Association. During the 1990s, he consolidated an international reputation as an artist unafraid to embrace highly complex conceptual issues of communication and perception, with dense textual references invariably spliced with a poetically tongue- in-cheek dandyism, whether the writings of William Blake flashed in Morse code off a disco ball; a homage to Pasolini written in fireworks or the cultivation of hybrid orchids in a Parisian gallery, nourished by the artist's own urine. "Cerith Wyn Evans" accompanied the artist's solo show at the Frankfurter Kunstverein and provides a comprehensive overview of the artist's body of work. Contributors Juliane Rebentisch, Andreas Spiegl, Jan Verwoert, interview by Manfred Hermes

      Cerith Wyn Evans2004