Marilynne Robinson Kolejność książek (chronologicznie)

"For generations, the Book of Genesis has been treated by scholars as a collection of documents by various hands expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's new book is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. Her magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation"--Publisher's description.

Jack tells the story of John Ames Boughton, the beloved and grieved-over prodigal son of a Presbyterian minister in Gilead, Iowa, a drunkard and a ne'er-do-well. In segregated St. Louis sometime after World War II, Jack falls in love with Della Miles, an African-American high school teacher, also a preacher's child, with a discriminating mind, a generous spirit, and an independent will. Their fraught, beautiful story is one of Robinson's greatest achievements.

New essays on theological, political, and contemporary themes, by the Pulitzer Prize winner Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award, and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display. What Are We Doing Here? is a call for Americans to continue the tradition of those great thinkers and to remake American political and cultural life as “deeply impressed by obligation [and as] a great theater of heroic generosity, which, despite all, is sometimes palpable still.”

The Givenness of Things is Robinson unadorned, speaking her mind forthrightly, sometimes with frustration, often with dry humour . . . Robinson makes full use of her writerly imagination Herald

Neglected as a toddler? Lila was rescued by a canny young drifter and together they crafted a life on the run. Despite some petty violence and moments of desperation? their life was laced with moments of joy and love. When Lila arrives in Gilead? she struggles to reconcile the life of her makeshift family and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves.

From the author of the magnificent, award-winning novels GILEAD and HOME comes this, a collection of wonderful, heart-warming essays about reading

By defending the importance of individual reflection, this title celebrates the power and variety of human consciousness in the tradition of William James. It explores the nature of subjectivity and considers the culture in which Sigmund Freud that was situated and its influence on his model of self and civilization.

Um den erfundenen Ort Gilead hat Marilynne Robinson eine Erzählwelt geschaffen, die Roman für Roman weiterwächst. Gilead ist keine Idylle, sondern eine Stadt, die für den Leser zum Mittelpunkt eines ganzen Kosmos wird. In Zuhause kehrt Glory Boughton kehrt nach Gilead zurück, um ihren sterbenden Vater zu pflegen. Kurz darauf findet auch ihr Bruder Jack nach 20 Jahren heim, der Bad Boy der Familie, der zu viel trinkt und zu wenig tut. Jack eckt bei allen an - und doch ist er der Liebling des Vaters. Allmählich knüpft er ein enges Band zu seiner Schwester, hütet aber weiter ein großes Geheimnis - einen Konflikt aus dem dunklen Amerika, in dem Hautfarbe und Leidenschaft Hass gebären. Zuhause ist ein auf leise, präzise Art schonungsloses Buch, in dem Marilynne Robinson die Kontraste ihrer Welt um den fiktiven Ort Gilead noch eindringlicher zeichnet. Sie erzählt mit großer Meisterschaft von Scham und Würde, von Gnade und Vergebung, und wieder gelingt es ihr, dem Trost ein Zuhause zu geben. Eine unserer größten lebenden Romanautorinnen. Bryan Appleyard, Sunday Times

Wielebny John Ames, który prawie całe swoje życie spędził w miejscowości Gilead w stanie Iowa, u schyłku swojego życia postanawia napisać list do swojego niespełna siedmioletniego synka z drugiego małżeństwa. Zbiór przemyśleń i swoiste podsumowanie swojego życia chciałby zostawić swojemu potomkowi, który prawdopodobnie nie zdąży do końca poznać ojca. Ames opisuje przodków: ojca i dziadka. Głównym wątkiem są zerwane więzi pomiędzy dziadkiem, który wyruszył do Kanzas, by walczyć z abolicjonistami i jego ojcem - gorliwym pacyfistą. Napięcie między nimi, ich wzajemna miłość oraz brak zdolności do budowania mostu nad przepaścią ich poglądów jest stałym źródłem rozmyślań Amesa.

A daring novel of a woman's sexual and spiritual rebirth.

A book-full of projects with diagrams, step-by-step instructions, and color photos. Very useful pull-out pattern.

From the Orange Prize winning author of HomeAcclaimed on publication as a contemporary classic, Housekeeping is the story of Ruth and Lucille, orphansgrowing up in the small desolate town of Fingerbone in the vast northwest of America.Abandoned by a succession of relatives, the sisters find themselves in the care of Sylvie, the remote and enigmatic sister of their dead mother. Steeped in imagery of the bleak wintry landscape around them, the sisters' struggle towards adulthood is powerfully portrayed in a novel about loss, loneliness and transience.'I love and have lived with this book . . . it holds a unique and quiet place among the masterpieces of 20th century American fiction.' Paul Bailey'I found myself reading slowly, than more slowly--this is not a novel to be hurried through, for every sentence is a delight.' Doris Lessing