Elizabeth C. Gaskell Książki

Biografia Charlotte Brontë autorstwa Elizabeth Cleghorn Gaskell to klasyka światowej literatury, która fascynuje czytelników Charlotte, Emily i Anne Brontë, stanowiąc naturalne uzupełnienie ich twórczości. Książka pozostaje kluczowym źródłem dla tych, którzy pragną poznać życie tej niezwykłej rodziny pisarskiej. Opowiada o losach Charlotte, jej sióstr i brata, korzystając z ich listów oraz wspomnień ojca i przyjaciół, w tym samej Gaskell. Publikacja miała miejsce 25 marca 1857 roku, w drugą rocznicę śmierci Charlotte, gdy jej sława była już ugruntowana po obu stronach Atlantyku. Wszystko zaczęło się w 1847 roku, gdy ukazała się pierwsza powieść sygnowana pseudonimem Currer Bell – Jane Eyre. Jej ogromna popularność uczyniła z autorki jedną z największych postaci literackich, mimo że jej prawdziwe nazwisko było nieznane nawet wydawcy. Sukces ten był spełnieniem marzeń Brontë, która wolała jednak pozostać w cieniu, unikając londyńskiej socjety. Jedynym wyznaniem, na które się zdobyła, było przyznanie się ojcu i przyjaciółce do napisania powieści.

Ekskluzywna edycja oprawiona w delikatną gładką tkaninę o właściwościach jedwabiu. Powieść jednej z najsłynniejszych angielskich pisarek z czasów wiktoriańskich przypomina zbiór scenek rodzajowych. Urok dawno minionego świata, niespieszna narracja, świetnie uchwycone charaktery, snobizmy, śmiesznostki i cnoty bohaterek wzruszają, denerwują i wywołują niepohamowaną wesołość. Na podstawie tej powieści telewizja BBC nakręciła przebojowy serial z Judi Dench w roli głównej. Koniec XIX wieku, Cranford miasteczko w hrabstwie Cheshire w Anglii. Mieszkają tu głównie kobiety; przeważnie ekscentryczne bezdzietne wdowy i stare panny. Ich zachowanie jest podporządkowane temu, co wypada lub nie wypada osobie o danej pozycji w tym małomiasteczkowym środowisku. Damy skrzętnie ukrywają niedostatki finansowe, nie skarżą się na brak pieniędzy, to bowiem nie uchodzi, w zaciszu domowym natomiast czynią drobne oszczędności - na świecach i ulubionych przysmakach. Należą do klasy średniej, ale za wszelką cenę chcą uchodzić za przedstawicielki klasy wyższej. Żyją tak, jakby od czasów ich młodości nic się nie zmieniło, starannie ignorując fakt, iż świat wokół gwałtownie przyspiesza.

Ruth to pełen współczucia portret „kobiety upadłej”, śmiało przeciwstawiający się wiktoriańskim poglądom na temat tego, co grzeszne i nieprawe.Tytułowa bohaterka, Ruth Hilton, młoda, naiwna dziewczyna, sierota, zarabia na swe utrzymanie jako szwaczka. Gdy traci posadę i dach nad głową, oczarowany jej urodą i skromnością dżentelmen proponuje dziewczynie schronienie i pociechę. Szczęście nie trwa długo, zdruzgotana i zhańbiona Ruth otrzymuje jednak szansę na nowe życie pośród ludzi, którzy ofiarują jej miłość i szacunek. Kiedy Bellingham ponownie wkroczy w życie Ruth, dziewczyna zmuszona będzie dokonać niemożliwego wyboru pomiędzy akceptacją ze strony ogółu a osobistą dumą.Elizabeth Gaskell kreśli niezwykłe postaci na tle wrzosowisk wiktoriańskiej Anglii.

Opowieść rozpoczyna się w latach 40. XIX w. na brzegu rzeki Neckary w Badenii- Wirtembergii, ale za sprawą starego pamiętnika przenosi się do poprzedniego stulecia. Do gospody przy młynie wodnym przybywa grupa przyjaciół, aby napić się kawy i schronić przed deszczem. Jeden z podróżnych zauważa portret pięknej młodej kobiety, wiszący na ścianie w domu młynarza. Gospodarz próbuje zaspokoić ciekawość gościa, wręczając mu stary pamiętnik. Opisana jest w nim historia Anny Scherer. Śliczna dziewczyna zostaje wysłana w podróż, podczas której poznaje szlachcica wysokiego rodu, pana de Tourelle. Mężczyzna szybko podejmuje starania o jej rękę. Anna pod naciskami rodziny godzi się na małżeństwo, mimo wewnętrznych wątpliwości i złych przeczuć. W efekcie zamążpójścia wyjeżdża do Francji, gdzie zostaje zamknięta w zamczysku Les Rochers Historia utrzymana jest w gotyckim stylu i pochodzi z najlepszego okresu literatury grozy. Narastające poczucie niepokoju trzyma czytelnika w napięciu aż do ostatniego zdania.

Elizabeth Gaskell (1810 - 1865), was a Victorian British writer. Her novels are fascinating to historians because they offer detailed portraits of people from every social class and she uses colloquialisms of the period. Of course, her books are also loved by a far wider audience for their moving stories, powerful relationships, social concern and the exploration of male authority. Her six novels are contained within two volumes: In Volume One: Mary Barton, Cranford, Ruth and North and South In Volume Two: Sylvia's Lovers and Wives and Daughters

Set in 19th century England, this collection features suspenseful tales that explore morality and human nature. "Disappearances" investigates the mysterious vanishing of six men, blending Victorian detective methods with eerie undertones. In contrast, "Christmas Storms and Sunshine" offers a heartwarming story of two rival newspaper families who unite in compassion when a child falls ill. The title story, "The Grey Woman," follows Anna, trapped in a dangerous marriage, as she and her loyal handmaid, Amante, navigate escape from her violent husband.

A story of class struggle, sometimes violent, in the North West of England

'The saddest story I ever wrote.' Mrs Gaskell Sylvia's Lovers is set during the French Revolutionary Wars in the remote whaling-port of Monkshaven in Yorkshire. The sea dominates the lives of the inhabitants: whalers returning from their long and dangerous trips to Greenland bring crowds to the quayside, every local man has tales to recount of his exploits at sea, and smuggling is rife. The people of Monkshaven hate the French, but they live in greater and more immediate fear of the dreaded incursions of the callous press-gang, who snatch sailors returning from whaling trip before they have even spoken to their friends or families. In Mrs Gaskell's provincial England war is seen to mirror a private violence which has already disrupted the lives of her fictional characters. Sylvia is a heroine loved by two men of completely different types--the bold sailor Charley Kinraid and the cautious and conventional Philip Hepburn, who idolizes her. The novel follows her development from a wilful, imaginative, but not especially clever girl, to an alert woman who has been matured by her acute suffering. The text is that of the one-volume fourth edition, published in December 1863.

Set in a provincial town in the early-19th-century, this is a subtle representation of historical change explored in human terms. The heroine passes from childhood to maturity in a process that, though often painful for her, is sharply and humorously observed.

Elizabeth Gaskell (1810 - 1865) was a British novelist and short story writer during the Victorian era whose novels remain very popular to this day. They offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature. Gaskell became popular for her novels, but also especially for her ghost stories, aided by Charles Dickens, who published her work in his magazine. In addition to her fiction, she also wrote the first biography of Charlotte Brontë, which played a significant role in developing her fellow writer's reputation. Even though her writing conforms to Victorian conventions, Gaskell usually frames her stories as criticisms of narrow-minded contemporary attitudes. She is a favorite with readers because she always emphasized the role of women, with complex narratives and dynamic female characters. This series of three novels is the perfect example of her work.

Elizabeth Gaskell's novels provide intricate portrayals of various social classes in Victorian Britain, enriched with period-specific colloquialisms. Her storytelling captivates readers through emotional narratives, strong character relationships, and a keen awareness of social issues, particularly the dynamics of male authority. These elements make her work appealing not only to historians but also to a broader audience seeking depth and insight into the human experience during her time.

My Lady Ludlow is Elizabeth Gaskell's charming tale of the conflict between progress and tradition, set in the England of 1800. Lady Ludlow is a kind, generous, and responsible member of the English aristocracy. She is also a trenchant traditionalist, virulently opposed to any move that would bring change to the social order. In the little village of Hanbury over which she presides, she finds herself increasingly opposed by those who have different visions of the greater good. A clergyman wishes to build a schoolhouse to educate the poor; her estate steward wants to help a local poacher's son. Will Lady Ludlow be able to cope with the changing times? Told with warmth and a sure feel for period detail, My Lady Ludlow will delight all lovers of historical fiction.

With an Introduction and Notes by Professor Emeritus John Chapple, University of Hull. The sheer variety and accomplishment of Elizabeth Gaskell's shorter fiction is amazing. This new volume contains six of her finest stories that have been selected specifically to demonstrate this, and to trace the development of her art. As diverse in setting as in subject matter, these tales move from the gentle comedy of life in a small English country town in Dr Harrison's Confessions, to atmospheric horror in far north-west Wales with The Doom of the Griffiths. The story of Cousin Phillis, her masterly tale of love and loss, is a subtle, complex and perceptive analysis of changes in English national life during an industrial age, while the gripping Lois the Witch recreates the terrors of the Salem witchcraft trials in seventeenth-century New England, as Gaskell shrewdly shows the numerous roots of this furious outbreak of delusion. Whimsically modified fairy tales are set in a French chateau, while an engaging love story poetically evokes peasant life in wine-growing Germany.

A revolutionary social and political commentary, North and South solidified Gaskell's place in the company of Victorian England's finest novelists.

Renowned for creating iconic characters, the author stands as a pivotal figure in Victorian literature. His rise from a factory worker due to family financial struggles to an acclaimed novelist showcases his resilience and talent. Over two decades, he edited a journal and produced a prolific body of work, including 15 novels and numerous short stories, which continue to resonate with readers today. Dickens's keen social critique and storytelling prowess have solidified his legacy as a literary genius, celebrated for both his popularity and enduring impact on literature.

'Such whispered tales, such old temptations and hauntings, and devilish terrors'Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

Cranford (1851-53) sketches the mannered, old-fashioned lifestyle maintained by ladies in a quiet country village in the 1830s. This bemused tale of ancien fashions and "elegant economy" is complemented with a short story about a young surgeon's disruptive entry into Duncombe village. In both stories, Elizabeth Gaskell (1810-1865) shows a genteel class entrenched in the receding era, while a new age presents its visiting card.

This representative selection includes five tales of very different kinds written in the 1850s and the longer Cousin Phillis. Immensely readable and sophisticated works of art, they show Gaskell's mastery of the genre, in an edition that celebrates her achievements in shorter fiction and the context in which they first appeared.

Exploring the intricacies of Victorian society, Elizabeth Cleghorn Gaskell's novels delve into the lives of various social classes, particularly the struggles of the poor. Her debut work, Mary Barton, highlights these themes, while The Life of Charlotte Brontë stands out as the first biography of the renowned author. Gaskell's notable works, such as Cranford, North and South, and Wives and Daughters, showcase her skill in character development and social commentary, making her a significant figure for both literary enthusiasts and social historians.

With an Introduction by David Stuart Davies. 'In the great mirror opposite I saw myself, and right behind, another wicked fearful self, so like me my soul seemed to quiver within me, as though not knowing to which similitude of body it belonged'. Elizabeth Gaskell is better known today for her pioneering social novels such as Mary Barton (1848) but she also wrote some fascinating tales of the supernatural and the macabre, which are collected here in this volume. The real charm of this dark anthology is its variety. Unlike so many writers of this kind of material, Gaskell allows the story to fit the style rather than the other way around and as result there is a charming freshness to each tale. This remarkable author uses different voices, tones and topics to engage her readers and as you turn from one story to the next you cannot be quite sure what to expect.

In Salem, newly orphaned Lois faces hostility, jealousy, and desire after being sent to live with her uncle's family. Her fear of Satan intertwines with themes of murder and faith as she navigates her challenging new life.

This story, intense in its evocation of passions and loyalties, is rooted in a lyrical Lake District setting.

First published in serial form in Dickens's "Household Worlds", this novel centres around an early Victorian country town at a crucial moment of transition in English society, besieged by forces it is incapable of understanding or withstanding. In its portrayal of a small farming community facing the impact of the modern industrialized world, Cousin Phillis mirrors the changes that were occurring in society and is considered one of Elisabeth Gaskell's most mature works,

Elizabeth Gaskell's literary contributions span novels, biographies, short stories, and letters, showcasing her narrative versatility. This Companion highlights recent biographical and bibliographical advancements, featuring essays by prominent scholars that explore her responses to the social, cultural, and intellectual changes of the Victorian era. With a focus on her diverse body of work, the volume serves as a valuable resource for students and scholars of Victorian literature, including a chronology and a guide for further reading.

Victorian literature shines through this beautifully illustrated edition, featuring the artistic talents of Hugh Thomson. The book captures the essence of the era with its rich storytelling and intricate illustrations, offering readers a visual and narrative feast. The combination of compelling themes and exquisite artwork invites a deeper appreciation of the work, making it a treasured addition for both literature enthusiasts and art lovers.

The narrative follows Edward Wilkins, a country lawyer with artistic inclinations, and his daughter Ellinor as they navigate the challenges of social status in the provincial town of Hamley. Edward's attempts to integrate into the elite circles he serves highlight the tension between his true self and societal expectations. The story explores themes of identity, class disparity, and the struggle for acceptance, all set against the backdrop of 19th-century England, showcasing Gaskell's keen social observations.

Exploring the eccentricities of human nature, this collection of short testimonials by Elizabeth Cleghorn Gaskell intertwines the ordinary with the supernatural. Renowned for her empathetic portrayal of characters, Gaskell presents tales that reflect on societal norms and the complexities of relationships. With a blend of wit, comedy, and otherworldly elements, she captivates readers, inviting them to ponder the quirks that shape our lives. This work showcases her storytelling talent, creating a rich tapestry of narratives that intrigue and resonate long after reading.

This is a full-cast dramatisation of Elizabeth Gaskell's tale of Manchester life, set in the hungry forties of the 19th century, when a series of bad harvests placed a heavy tax burden on workers.

Set in a provincial town in the early nineteenth century, Wives and Daughters, Elizabeth Gaskell's last novel, is a subtle representation of historical change explored in human terms.

Beware the self-righteous man of faith, the wicked-eyed child, the jealous lover. For this is Salem, in 1691, where rumours fly on the wind and witchcraft is abroad. Lois Barclay, cursed in childhood, is a stranger in a strange land - and the devil will work his mischief on Lois's neighbours before the season of madness is out.

An omnibus edition that includes Elizabeth Gaskell's classic novel Cranford, which is a comic portrait of the lives of Cranford's genteel female inhabitants, as well as a novella and a short story. It presents poignant portraits of early Victorian country village life.

Focused on accessibility, this reproduction by Megali aims to provide historical works in large print, catering specifically to individuals with impaired vision. The initiative highlights the importance of making literature more inclusive, ensuring that everyone can enjoy and engage with classic texts.

The book is a reproduction of a historical work, presented in large print to enhance accessibility for readers with impaired vision. Published by Megali, a house dedicated to making historical texts more readable, this edition aims to preserve the original content while ensuring it is accessible to a wider audience.

Focusing on accessibility, this book is a reproduction of a historical work presented in large print format. The publishing house Megali aims to enhance the reading experience for individuals with impaired vision, ensuring that classic literature remains available to a broader audience.

V posledním dílu slavného románu se Margaret vyrovnává se ztrátou matky a obavami, že ji pan Thornton považuje za lhářku. Elizabeth Gaskellová zde naznačuje první náznaky lásky, které si Margaret zatím neuvědomuje. John Thornton přiměje svou matku, aby vyhledala Margaret, protože slíbila umírající paní Haleové, že jí pomůže v těžkých chvílích. Thornton se stále vrací k momentu, kdy viděl Margaret s cizím mužem, ačkoliv ví, že mu lhala z jiných důvodů, než by se mohlo zdát. Na scénu přichází pan Bell, Margaretin kmotr a pronajímatel Thorntonovy továrny, který si okamžitě získá dívčino srdce. Všimne si napětí mezi Margaret a Johnem, které však její otec odmítá brát vážně. Pan Bell, bohužel, brzy umírá, a Margaret se ocitá v Londýně u tety, kde se snaží vyrovnat se zármutkem. Její život je monotónní, přičemž vzpomínky na pana Thorntona a ztracené blízké ji stále trápí. Mezitím John Thornton bojuje o záchranu své továrny, a jeho rozhovor s matkou je jedním z nejsilnějších momentů příběhu. Margaret se ocitá na křižovatce: dokáže se Thornton postavit zpět na nohy? Bude mít právník Henry Lennox úspěch? A od koho nakonec Margaret přijme ten nejkrásnější zásnubní dar – uschlé růže, které vyrostly právě tam?

Druhý díl slavného románu anglické klasičky se odehrává v dusné atmosféře průmyslového Miltonu, zatímco vzpomínky na slunný Helstone se občas objevují v myšlenkách rodiny Haleových. Po večeři u Thorntonových je Margaret rozpolcená ve svých pocitech k panu Thorntonovi. Obdivuje jeho sílu, ale zároveň ji odpuzuje jeho tvrdost. Jak říká otci, je to jako jíst poprvé olivu: "Nechte mě, ať se šklebím, než ji spolknu." Zamilovaný továrník překonává odpor své matky, ale jeho pád je tvrdý, když se dozví, že Margaret ho nikdy nebude milovat. Umírající paní Haleová přiměje Margaret napsat bratrovi Frederickovi, který se nemůže vrátit do Anglie kvůli námořní vzpouře. Frederick se dostává k matce těsně před jejím skonem, což oba muže zcela zlomí. Margaret, spolu s paní Dixonovou, se snaží dodat jim sílu. Je nutné, aby Frederick co nejdříve odcestoval, neboť mu hrozí nebezpečí. Na scénu vstupuje i Margaretin zavržený nápadník Henry Lennox, který mu má pomoci prokázat nevinu. Situace se komplikuje, když se ukáže, že Frederick, uprchlý zločinec, se vrátil do Anglie, a za jeho dopadení je vypsaná odměna. Jeho dramatický odjezd z Miltonu, po němž umírá nehodný muž, ještě více zhoršuje Margaretinu situaci, která musí lhát, aby bratra ochránila. Když se dozví, že je do všeho zapleten i pan Thornton, propadá zoufalství.

Hlavní hrdinku Margaret Haleovou sledujeme v prvním díle v průběhu přibližně roku mezi jejími osmnáctými a devatenáctými narozeninami. Na začátku pobývá u bohaté tety Shawové v Londýně, kde strávila devět let. Její sestřenice Edith se chystá provdat za kapitána Lennoxe a odjet na Korfu, zatímco jeho bratr Henry se snaží získat Margaretinu pozornost, ale ona je myšlenkami u svých rodičů v jihoanglickém Helstone. Po krátkém užívání poklidu venkova se její otec, pastor Hale, potýká s pochybnostmi o víře a rozhodne se vzdát místa duchovního správce. Rodina se stěhuje do Miltonu v severní Anglii, kde Margaret pociťuje odvrácenou stranu průmyslové revoluce a na lásku nemá pomyšlení. Henry Lennox ustupuje do pozadí a místo v jejím srdci se snaží obsadit miltonský továrník John Thornton, zaujatý její živostí a krásou. Román, který se dočkal mnoha překladů a dvou adaptací BBC, vychází v češtině poprvé v překladu Jany Srbové. Na první díl navážou v roce 2012 další dva. Elizabeth Gaskellová dokazuje, že patří mezi významné anglické spisovatelky 19. století, jejichž dílo fascinuje generace čtenářek.

Quattro vite diverse, quattro diverse epoche, altrettanti indimenticabili racconti di donne dalla volontà indomabile e dal carattere selvaggio. Quattro bellissimi racconti al confine tra l'invenzione letteraria e la narrazione storica, in cui le donne si presentano come figure esemplari di alcuni momenti nella storia inglese dei secoli passati. Donne che per la loro volontà indomabile, per il loro rigore senza compromessi e per le loro passioni eccessive assumono agli occhi della comunità i tratti inquietanti della ''strega''. Depositarie silenziose di passioni represse, di enigmi indecifrabili per i testimoni-narratori delle loro vicende, restano personaggi indimenticabili anche per i lettori di oggi.

Jemné dámy z Cranfordu žijí své poklidné životy, nečekají, že se bude cokoli dít, a dodržují svá poněkud výstřední pravidla. Ale samozřejmě, že život zasahuje těmi nanejvýš neobvyklými způsoby... Cranford je nejznámější a nejkouzelnější z novel Elizabeth Gaskellové, vtipné a dojemné klasické dílo, které si zaslouží být přečteno. Po prvním dílu nazvaném Cranfordské dámy budou následovat příběhy Milady Ludlowová a Zpovědi pana Harrisona.

Alice, hrdinka novely Alice a její muži, se ožení se svým bratrancem Frankem, který slouží na zaoceánské lodi. Vzápětí nato, kdy se jí narodí postižená holčička, se dozví, že loď jejího manžela se potopila a posádka zahynula... Zoufalá vdova zkouší začít žít nový život a přijme nabídku k sňatku od boháče Thomase Openshawa. Když se vše začne obracet k dobrému, objeví se na obzoru další neštěstí... Anne z novely Hříšná Lizzie prožívá trápení matky, která přišla o dospívající dceru. Lizzie před několika lety odešla do města za prací a od té doby o ní rodina dostala jen jedinou zprávu, na jejímž základě ji otec vydědil a proklel. Teprve na smrtelné posteli své manželce dovolí, aby po dceři pátrala, a Anne se vydává do dalekého města, aby zjistila o Lizzie pravdu, byť by byla sebekrutější...

Mr Harrisons BekenntnisseDes Totengräbers HeldSchafscherer in CumberlandCousine PhillisLois die Hexe

Die Sammlung umfasst 11 Kurzgeschichten, die durch tiefgründige Charaktere und komplexe moralische Lektionen bestechen. Besonders hervorzuheben ist die Erkundung von Themen wie Grausamkeit und Missbrauch, die oft von Generation zu Generation weitergegeben werden. Die Geschichten, die vermutlich im 19. oder frühen 20. Jahrhundert entstanden sind, bieten eine unterhaltsame Lektüre und zeigen, dass menschliche Übel manchmal bedrohlicher sind als übernatürliche Phänomene. Die Autorin hat es geschafft, die Vergangenheit der Charaktere umfassend darzustellen, was die Erzählungen besonders fesselnd macht.

Die Geschichte erzählt von einem Jungen im nordenglischen Cumberland, der mit seinem Halbbruder Gregory aufwächst. Trotz der Entfremdung zwischen den Brüdern kommt es zu einem Wendepunkt, als der jüngere Bruder sich im Schneesturm verirrt. Gregory und seine Hündin Lassie müssen ihn retten, was den Lassie-Mythos begründet.

»Cranford«, erstmals 1853 in Buchform veröffentlicht, ist kein Roman im eigentlichen Sinne des Wortes. Es gibt weder Helden noch eine Fabel. Wir haben es vielmehr mit einer Folge von teilweise abgeschlossenen Episoden zu tun. Eine Mischung von Humor, Sentimentalität und Tragik durchzieht das Buch. Diese Miniaturmalerei einer zurückgebliebenen Kleinstadt und ihrer schrulligen Bewohner erinnert an ein Spitzweg-Gemälde, an ein Idyll, das nicht frei ist von Pathos.

Il volume raccoglie "Il velo dissolto" di George Eliot e "La storia della vecchia nutrice" di Elizabeth C. Gaskell.

Uit zijn collectie fantastische vertellingen heeft J.J. Strating werk van een aantal minder bekende tijdgenoten van Dickens gekozen en een biografie van de schrijfsters en schrijvers bijgevoegd.De bundel bevat: Een schaduw in het maanlicht - Mrs Molesworth,Het verhaal van de oude kindermeid - Mrs. Gaskell, De exprestrein van vier uur vijftien - Amelia B. Edwards, Het huis en het brein - Lord Lytton, Een zonderling voorval uit het leven van wijlen Henry Harris, doctor in de godgeleerdheid - Richard barham