Anders Pieterse Książki

Concludes the fantasy series. The dragon charmer, Prospero's children.

By weaving practical insights and exercises through a rich tapestry of multicultural myths, ancient legends, and folktales, Anita Johnston helps the millions of women preoccupied with their weight discover and address the issues behind their negative attitudes toward food.

The ninth Inspector Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES. 'Masterly' SUNDAY TIMES 'Ian Rankin is a genius' Lee Child DI Rebus is buried under a pile of paperwork but an escalating dispute between the upstart Tommy Telford and Big Ger Cafferty's gang gives Rebus an escape clause. Telford is known to have close links with a Chechen gangster bringing refugees into Britain as prostitutes. When Rebus takes under his wing a distraught Bosnian call girl, it gives him a personal reason to make sure Telford goes back to Paisley and pronto. Then Rebus's daughter is the victim of an all too professional hit-and-run and Rebus knows that there is now nothing he won't do to bring down prime suspect Tommy Telford - even if it means cutting a deal with the devil.

An illegal immigrant is found murdered in an Edinburgh housing scheme: a racist attack, or something else entirely? Rebus is drawn into the case, but has other problems: his old police station has closed for business, and his masters would rather he retire than stick around. But Rebus is that most stubborn of creatures. As Rebus investigates, he must visit an asylum seekers' detention centre, deal with the sleazy Edinburgh underworld, and maybe even fall in love... Siobhan meanwhile has problems of her own. A teenager has disappeared from home and Siobhan is drawn into helping the family, which will mean travelling closer than is healthy towards the web of a convicted rapist. Then there's the small matter of the two skeletons - a woman and an infant - found buried beneath a concrete cellar floor in Fleshmarket Close. The scene begins to look like an elaborate stunt - but whose, and for what purpose? And how can it tie to the murder on the unforgiving housing-scheme known as Knoxland?

Piąta powieść najpopularniejszego brytyjskiego autora kryminałów. Tajemniczy pożar hotelu, niezidentyfikowane ciało i przerażająca noc, o której wszyscy usiłowali zapomnieć. Tylko John Rebus ma odwagę wrócić do tej sprawy. Od pewnego czasu inspektor Rebus ma wrażenie, że jego życie zamienia się w czarną komedię. Niespodziewanie w Edynburgu pojawia się jego brat, niedawno wypuszczony z więzienia. Jakby tego było mało, porzucony przez partnerkę Rebus musi spać na kanapie we własnym mieszkaniu, które wynajął wcześniej studentom. Wcale nie lepiej dzieje się na polu zawodowym: kogoś dźgnięto nożem, do Edynburga przyjeżdża skazany pedofil, a zaprzyjaźniony z Rebusem policjant zostaje brutalnie napadnięty i zapada w śpiączkę. Nawet jeśli brzmi to cynicznie, to ostatnie zdarzenie ma jednak swoje dobre strony. W ręce inspektora wpada notes policjanta z ciekawymi informacjami dotyczącymi prowadzonych śledztw. W tym zwłok znalezionych przed pięciu laty w ruinach spalonego hotelu i pocisku odkrytego w głowie ofiary. Oraz broni, z której został wystrzelony i o której Rebus wie więcej, niż powinien.

They call him the Wolfman - because he takes a bite out of his victims and because they found the first victim in the East End's lonely Wolf Street. Scotland Yard are anxious to find the killer and Inspector Rebus is drafted in to help, thanks to his supposed expertise in the modus operandi of serial killers. But his Scotland Yard opposite number, George Flight, isn't happy at yet more interference - it's bad enough having several Chief Inspectors on your back - and Rebus finds himself dealing with racial prejudice as well as the predations of a violent maniac. When Rebus is offered a serial killer profile of the Wolfman by an attractive female psychologist, it's too good an opportunity to miss. But in finding an ally, he may have given his enemies an easy means of attack.

Twelve remarkable, gritty stories starring Detective Inspector John Rebus in his home city of Edinburgh, as only Ian Rankin can portray it: not just the tearooms and cobbled streets of the tourist brochures, but a modern urban metropolis with a full range of criminals and their victims--blackmailers, peeping Toms, and more than one kind of murderer. It's a city like any other, a city that gives birth to crimes of passion, accidents, and long-hidden jealousy, and a city in which criminal minds find it all too easy to fade into the shadows. As dedicated readers of the series well know, nobody is better equipped to delve into Edinburgh's back alleys and smoky pubs than Rebus, and no one better able to illuminate his world than Ian Rankin.

Czy chciałbyś przeżyć swoją własną autopsję? Spotkać Diabła? Popełnić samobójstwo z rozpaczy na zaśnieżonych równinach Minnesoty? Uciekać przed policją w towarzystwie Dillinger'a? Przejść przesłuchanie u tyrana w bananowej republice? Spotkać bardzo szczególnych wampirów? Stać się mordercą przez Internet? Nauczyć się nie ufać zwierzętom domowym? Mieć na karku zabójcę z innego świata? Poznać kingowską wizję piekła? Zbadać hotelowy pokój nawiedzany przez dziwne zjawisko? Zostać podwiezionym przez kierowcę-trupa? A może znaleźć mały talizman, który przyniesie ci szczęście? Wystarczy, że pozwolisz poprowadzić się Kingowi, który potrafi snuć opowieści równie dobrze, jak pisać powieści. Czternaście historii, które pozwolą marzyć, bać się i czerpać perwersyjną przyjemność z poznawania najstraszniejszych lęków, zmuszając do przewracania stron, zanim skończysz obgryzać paznokcie.

English fantasy at its finest, the first in this exciting new trilogy steps into the gap that exists between The Lion, the Witch and the Wardrobe and Clive Barker's Weaveworld. A mysterious, isolated house awaits sixteen-year-old Fern and her brother Will for the summer holidays. As the old house reveals its secrets, their familiar world starts to fracture, giving access to a magical and corrupt land destroyed thousands of years ago. For hidden in the house is a talisman which has been sought by the forces of good and evil for millennia. And only someone possessed of the Gift can use it. Soon, Fern finds herself being courted by the enigmatic wanderer, Ragginbone, and the sinister art-dealer, Javier Holt, who know that she has the Gift. Both want her to find the talisman, and use it to unlock the door, but what awaits her on the other side...? This is English fantasy at its finest. Prospero's Children steps into the gap that exists between The Lion, the Witch and the Wardrobe and Clive Barker's Weaveworld, and is destined to become a modern classic.

Underneath the cobbled streets of Edinburgh's old Town are medieval stone cellars where a man could scream and never be heard. In mortal Causes, the tortured body of a young man is found hanging from a butcher's hook in one of these underground rooms. The tattoo on his wrist and a cryptic inscription scratched in the dirt suggest to Inspector John Rebus that this was an execution, but what man or men carried it out?

Gregor Jack, MP, well-liked, young, married to the fiery Elizabeth - to the outside world a very public success story. But Jack's carefully nurtured career plans take a tumble after a 'mistake' during a police raid on a notorious Edinburgh brothel. Then Elizabeth disappears, a couple of bodies float into view where they shouldn't, and a lunatic speaks from his asylum... Initially Rebus is sympathetic to the MP's dilemma - who hasn't occasionally succumbed to temptation? - but with the disappearance of Jack's wife the glamour surrounding the popular young man begins to tarnish. Someone wants to strip Jack naked and Rebus wants to know why...

A junkie lies dead in an Edinburgh squat, spreadeagled, cross-like on the floor, between two burned-down candles, a five-pointed star daubed on the wall above. Just another dead addict - until John Rebus begins to chip away at the indifference, treachery, deceit and sleaze that lurks behind the facade of the Edinburgh familiar to tourists. Only Rebus seems to care about a death which looks more like a murder every day, about a seductive danger he can almost taste, appealing to the darkest corners of his mind . . .

"Chang and Eng Bunker were the Siamese twins for whom the term was coined, one of the nineteenth century's most fabled human oddities. Now Darin Strauss has rescued the twins from the sideshow of history, drawing from their extraordinary conjoined lives a first novel of exceptional beauty."--Jacket