J. D. Salinger Książki

Bohaterem „Buszującego w zbożu” jest szesnastoletni uczeń, Holden Caulfield, który nie mogąc pogodzić się z otaczającą go głupotą, podłością, a przede wszystkim zakłamaniem, ucieka z college'u i przez kilka dni „buszuje” po Nowym Jorku, nim wreszcie powróci do domu rodzinnego. Historia tych paru dni, którą opowiada swym barwnym językiem, jest na pierwszy rzut oka przede wszystkim zabawna, jednakże rychło spostrzegamy, że pod pozorami komizmu ważą się tutaj sprawy bynajmniej nie błahe. Za niezrównoważonymi gestami szczeniackiego buntu Holdena kryją się z gruntu zdrowe odruchy i nad podziw poważny stosunek do życia. Tym, o co ten chłopak walczy, okaże się w końcu ni mniej, ni więcej, tylko prawo do zachowania własnej twarzy w konformistycznym, zmaterializowanym społeczeństwie, w którym mu przyszło żyć.

Indhold: A perfect day for bananafish ; Uncle Wiggily in Connecticut ; The laughing man ; Down at the Dinghy ; Just before the war with the Eskimos ; For Esmé - with love and squalor ; Pretty mouth and green my eyes ; De Daumier-Smith's blue period ; Teddy.

"First published in the New Yorker in the 1950s, Raise High the Roof Beam, Carpenters and Seymour: an Introduction are two novellas narrated by Buddy Glass, a character often said to be a portrait of Salinger himself. In the first, Buddy has taken leave from the army during World War II to attend the wedding of the eldest Glass brother, Seymour, and an atmosphere of portentous suspense sets the scene for the tragedy that will follow. In the second, Buddy reminisces about Seymour and the novella unfolds into a deep and far-reaching exploration of a complex and sad character which displays all the tenderness and subtlety which distinguish the best of Salinger's writing"--Publisher's website

J.D. Salinger, author of the classic Catcher in the Rye (1951), wrote the stories Franny and Zooey for publication in the New Yorker magazine in 1955 and 1957 respectively. Both stories were part of a series centred around a family of settlers in New York, the Glasses, particularly the children of Les and Bessie Glass, a Jewish-Irish theatrical act. All are brilliant former radio actors. Their eldest child, Seymour, a genius, commits suicide in his thirties. The repercussions to the family of this act provide the unifying theme to the stories. In Franny and Zooey the youngest member of the family, Franny, has a religious and nervous breakdown. She attempts to ward off the meaninglessness of college life by the obsessive repetition of a Jesus prayer. Her brother Zachary (Zooey) rests at nothing in his attempts to restore her sanity. J.D. Salinger wrote the Glass stories, 'It is a long-term project, patently an ambitious one, and there is a real-enough danger, I suppose, that sooner or later I'll bog down, perhaps disappear entirely, in ly own methods, locutions and mannerisms. On the whole, though, I'm very hopeful.I love working on these Glass stories, I've been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill.'

A young and ambitious writer named Jerome David Salinger aimed high early in his career, yearning to publish in The New Yorker, which he viewed as the pinnacle of American literature. However, it took several years and the duration of a world war before he achieved this goal. The New Yorker, known for its selective tastes, was not ready for Salinger's brash style and cynical worldview. Instead, other magazines recognized his talent during a tumultuous time. Story magazine was the first to publish Salinger’s work, featuring “The Young Folks” in 1940. This story offers a glimpse into New York’s cocktail society, showcasing a conversation between two young people that is largely meaningless. His next story, “Go See Eddie,” appeared in The University of Kansas City Review, depicting a tense encounter where a male character pressures a young woman to meet Eddie, notable for its omitted backstory—a technique reminiscent of Hemingway. Later, as Salinger neared the end of his wartime experience, “Once A Week Won’t Kill You” was published in Story magazine. This story, about a soldier informing his aunt of his deployment, can be interpreted as a metaphor for preparing loved ones for potential loss. Devault-Graves Digital Editions proudly presents this anthology by one of America’s most innovative authors.

This title has a new ISBN which should be used for ordering purposes.

Leichtverständliche englischsprachige Interpretationshilfe mit Angaben zu Inhalt, Handlungsaufbau und sprachlichen Mitteln sowie Erläuterungen zu Leben und Werk des Schriftstellers (Jg. 1919).

Содерж.: Над пропастью во ржи : роман ; повести: Выше стропила, плотники ; Симор: Введение ; Фрэнни ; Зуи ; рассказы: Хорошо ловится рыбка-бананка ; Лапа-растяпа ; Перед самой войной с эскимосами ; Человек, который смеялся ; В лодке, и др.

Dieser Band in deutscher Sprache ermöglicht einen leichten Einstieg in die Lektüre und vertieft das Verständnis des Werkes. Er bietet somit eine optimale Vorbereitung auf Unterricht und Klausuren. Mit Hintergrundinformationen zu Autor und Werk, einer ausführlichen Inhaltsangabe und einer systematischen Interpretation des Textes unter folgenden Gesichtspunkten: Aufbau und Textstruktur; Wichtige Personen; Themen, Motive und Symbole; Erzähltechnik; Sprache und Stil; Interpretation von Schlüsselstellen.

Novela autora proslulého zejména jedním z nejvýznamnějších děl americké literatury XX. století – generačním románem Kdo chytá v žitě – vypovídá o touze po nalezení smyslu života. Podle autora je „amatérským filmem“ citlivě zobrazujícím něžné vztahy matky a dvou nejmladších dětí rodiny Glassových; skutečně jde o vynikající rozbor rodinných vztahů. Dvacetiletá studentka anglistiky Franny si z pokoje mrtvého bratra vypůjčí knihu Poutníkova cesta vyprávějící o ruském venkovanovi, který se naučil zvláštní metodu neustálého modlení. Poté upadá do deprese, prodělá nervové zhroucení a její blízcí se jí snaží pomoci. Obsahem knihy jsou v podstatě tři velké rozhovory – mezi Franny a jejím chlapcem Lanem, mezi jejím bratrem Zooeym a matkou Bessie a konečně mezi Franny a Zooeym. Zooey, úspěšný herec, se jí snaží pomoci svými úvahami o víře v Boha a smyslu poctivé práce, zatímco maminka se snaží posílit Frannino tělo vydatnou slepičí polévkou. Nevšední knížka, která chytne u srdce.