James McBride Książki

We wrześniu 1969 roku niezdarny, zrzędliwy stary diakon, znany jako Kurtałka, wkracza na dziedziniec osiedla Cause na południowym Brooklynie, wyciąga z kieszeni broń i na oczach wszystkich strzela z bliska do handlarza narkotyków. W Diakon kontra King Kong McBride ożywia ludzi dotkniętych strzelaniną: ofiarę, Afroamerykanów i Latynosów, którzy byli tego świadkami, białych sąsiadów, miejscowych gliniarzy wyznaczonych do zbadania sprawy, członków kościoła baptystów Pięć Końców, gdzie Kurtałka był diakonem, włoskich gangsterów z sąsiedztwa i samego Kurtałkę. W miarę jak historia się pogłębia, staje się jasne, że losy bohaterów - uwikłanych w burzliwy wir Nowego Jorku lat sześćdziesiątych - nakładają się na siebie w nieoczekiwany sposób. Kiedy prawda wychodzi na jaw, McBride pokazuje nam, że nie wszystkie sekrety należy ukrywać, że najlepszym sposobem na rozwój jest stawianie czoła zmianom bez strachu oraz że nasiona miłości tkwią w nadziei i współczuciu.

Henry Shackleford is a young slave living in the Kansas Territory in 1857; the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry's master quickly turns violent. Henry is forced to leave town with Brown, who believes he's a girl.

As a boy in Brooklyn’s Red Hook projects, James McBride knew his mother was different. But when he asked about it, she’d simply say ‘I’m light-skinned.’ Later he wondered if he was different too, and asked his mother if he was black or white. ‘You’re a human being,’ she snapped. ‘Educate yourself or you’ll be a nobody!’ And when James asked what colour God was, she said ‘God is the colour of water.’ As an adult, McBride finally persuaded his mother to tell her story - the story of a rabbi’s daughter, born in Poland and raised in the South, who fled to Harlem, married a black man, founded a Baptist church, and put twelve children through college.

'A formidable free-style book that isn't straight biography but a mix of history, street-level investigative reporting, hagiography, Deep South sociology, music criticism, memoir and some fiery preaching' Rolling Stone magazine A Guardian best music book of 2016 The music of James Brown was almost a genre in its own right, and he was one of the biggest and most influential cultural figures of the twentieth century. But the singer known as the 'Hardest Working Man in Show Business' was also an immensely troubled, misunderstood and complicated man. Award-winning writer James McBride, himself a professional musician, has undertaken a journey of discovery in search of the 'real' James Brown, delving into the heartbreaking saga of Brown's childhood and destroyed estate, and uncovering the hidden history of Brown's early years.

"Inspired by a historical incident that took place in the village of St. Anna di Stazzema in Tuscany and by the experiences of the famed Buffalo Soldiers of the 92nd Division in Italy during World War II, Miracle at St. Anna is a singular evocation of war, cruelty, passion, heroism, and love. It is the story of four American soldiers, the villagers among whom they take refuge, a band of partisans, and an Italian boy, all of whom encounter a miracle - though perhaps the true miracle lies in themselves."--BOOK JACKET.

Book

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community-heaven and earth-that sustain us.[Bokinfo].

»Ein Erzählband wie ein Flipperautomat: James McBride in Bestform.« New York Times Book Review Ein Spielzeug-Sammler, der im Haus eines armen Predigers eine sensationelle Entdeckung macht. Ein Waisenjunge, der über die Schlachtfelder des amerikanischen Bürgerkriegs wandert und glaubt, der Sohn Abraham Lincolns zu sein. Fünf junge Musiker einer Band aus einem Vorort von Pittsburgh, die feststellen müssen, dass überall in ihrem Viertel dunkle Geheimnisse lauern. Ein Löwe im Zoo, der eine plötzliche Ahnung bekommt von der Schönheit des Lebens. Ein Schwergewichtsboxer, der boxt wie Muhammad Ali, als es darum geht, den Torwächter der Hölle zum Kampf gegen die ewige Verdammnis herauszufordern… Was macht den Mensch zum Menschen? James McBride erzählt von Krieg und Geschichte, von Herkunft und Identität, vom Versuch, die Welt zu verstehen und sich selbst – fantasievoll, skurril, berührend und immer überraschend.

Der Mann hinter dem Mythos James Brown. „Godfather“, „Mr. Dynamite“ und „Da Number One Soul Brother“: James Brown war eine der exzentrischsten und wirkmächtigsten Figuren der Popmusik. Doch es gab auch den anderen James Brown, das Kind schwarzer Landarbeiter in den ärmlichen Verhältnissen von Augusta, Georgia. James McBride begibt sich in Interviews mit ehemaligen Bandmitgliedern, Managern und Familienangehörigen auf seine persönliche Suche nach dem Mann hinter dem Mythos James Brown - und nimmt uns mit auf eine Reise durch das ganz andere Amerika: die Südstaaten, Heimat der Unterdrückten, der Magier, Trickster und Gestaltenwandler. Vom Leben des zerrissenen Musikers weitet sich dabei der Blick auf die kulturelle Landschaft einer zutiefst gespaltenen Nation.