Yiyun Li Książki

Lilia Imbody ma osiemdziesiąt jeden lat, przeżyła trzech mężów, wychowała pięcioro dzieci i doczekała się siedemnaściorga wnucząt. Teraz wraca do dziennika dawno zapomnianego mężczyzny, Rolanda Bouleya, z którym kiedyś przeżyła przelotny romans. Bohaterka popada w coraz większą obsesję na punkcie osobistej historii Rolanda i zaczyna komentować pośmiertnie opublikowane, kilkusetstronicowe zapiski, dodaje również własne, alternatywne wersje wydarzeń, tym samym zdradzając zaskakujące, długo skrywane tajemnice z przeszłości. Powraca także do wspomnień o swojej pierworodnej, nieżyjącej córce Lucy. Głosy autora dzienników i Lilii przeplatają się, budując dwugłosową, intymną opowieść o kobietach i mężczyznach, która rozpoczyna się w kalifornijskim domu opieki dla osób starszych. W rolach głównych występują intrygujące postacie babki, matki i wnuczki, czytelnik ma zaś wrażenie podglądania ich zza kulis w oczekiwaniu na kolejne zwroty akcji. Nawiązującą formą do Bladego ognia Vladimira Nabokova powieść Yiyun Li odczytuje się jako kontynuację jej autobiograficznej książki Where Reasons End, w której matka prowadzi wyobrażone rozmowy ze zmarłym synem. Ten osobisty ślad mieści również dyskusje o tym, w jaki sposób opowiedzieć niewyrażalne tematy. W tym Yiyun Li jest mistrzynią.

Brilliant and original, `A Thousand Years of Good Prayers' introduces a remarkable first collection of stories about China from an author set to become a major literary talent.

In the provincial town of Muddy Waters in China, a young woman named Gu Shan is sentenced to death for her loss of faith in Communism. She is twenty-eight years old and has already spent ten years in prison. The citizens stage a protest after her death and, over the following six weeks, the town goes through uncertainty, hope and fear until eventually the rebellion is brutally suppressed. They are all taken on a painful journey, from one young woman's death to another. We follow the pain of Gu Shan's parents, the hope and fear of the leaders of the protest and their families. Even those who seem unconnected to the tragedy - an eleven-year-old boy seeking fame and glory, a nineteen-year-old village idiot in love with a young and deformed girl, an old couple making a living by scavenging the town's garbage cans - are caught up in a remorseless turn of events. Yiyun Li's novel is based on the true story which took place in China in 1979.

A compelling narrative explores the intricacies of human relationships and societal challenges, weaving together diverse characters facing personal and collective struggles. The story delves into themes of resilience, identity, and the impact of choices across generations. With richly developed characters and a thought-provoking plot, it invites readers to reflect on their own lives while navigating the complexities of love, loss, and redemption. This finalist for the Pulitzer Prize for Fiction 2024 promises a profound literary experience.

'One of our finest living authors ... propulsively entertaining' New York Times 'Sly, profound ... Electrifying' Observer 'Wonderfully strange and alive' Jon McGregor

In the title story, a professor introduces her middle-aged son to a favorite student, unaware of the student’s true affections. In “A Man Like Him,” a lifelong bachelor finds kinship with a man wrongly accused of an indiscretion. In “The Proprietress,” a reporter from Shanghai travels to a small town to write an article about the local prison, only to discover a far more intriguing story involving a shopkeeper who offers refuge to the wives and children of inmates. In “House Fire,” a young man who suspects his father of sleeping with the young man’s wife seeks the help of a detective agency run by a group of feisty old women.

'Days- the easiest possession. The days he had refused would come, one at a time. They would wait, every daybreak, with their boundless patience and indifference, seeing if they could turn me into an ally or an enemy to myself.' A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best- on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life, and he will speak back to her, unable to offer explanation or solace, but not yet, not quite, gone. Taking the form of a dialogue between mother and son, Where Reasons End is an extraordinary portrait of parenthood, in all its painful contradictions of joy, humour and sorrow, and of what it is to lose a child.

Yiyun Li's searing personal story of hospitalizations for depression and thoughts of suicide is interlaced with reflections on the solace and affirmations of life and personhood that Li found in reading the journals, diaries, and fiction of other writers. From William Trevor and Katherine Mansfield to Kierkegaard and Larkin, Yiyun Li traces the themes that have preoccupied these writers and herself: time and transformation, presence and absence, the impulse to abandon life and the impulse to carry on. Drawing on personal experiences - her unstable mother, her time in the Chinese army - she constructs a beautiful, interior exploration of selfhood and what is required to choose life.

A collection of the twenty best contemporary short stories selected by series editor Laura Furman from hundreds of literary magazines, The PEN/O. Henry Prize Stories 2010 brings to life a dazzling array of subjects: a street orphan in Malaysia, a cowboy and his teenage bride, a Russian nanny in Manhattan, a nineteenth-century Nigerian widow, and political prisoners on a Greek island. Also included are essays from the eminent jurors on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

Late one June afternoon, seven months after my wedding, I woke from a short, deep sleep, in love with my husband. Whether describing the tensions of an arranged marriage, the trauma of having an alcoholic mother, or the petty corruption of an Indian neighbourhood, Akhil Sharma's stories always expose the cultural collisions - the paradoxes, ironies, and harmonies - that characterise modern life. What does it mean to be foreign? And can you find a home in exile? In these elegant, unsparing and unusually intimate stories - five of which were first published in the New Yorker - the Folio Prize-winning author explores these questions with disarming honesty. Marrying the minimalism of Chekhov and Carver with an unparalleled flair for dark comedy, A Life of Adventure and Delight is a book of wisdom, wonder and poignant reflection from a writer courageous enough to explore the darkening margins of the psyche.

Peking, Ende der achtziger Jahre: Drei ungleiche Freunde wachsen im gleichen Häuserblock auf. Ruyu, ein streng katholisch erzogenes Waisenmädchen aus der Provinz, und die wohlhabenden, aber vernachlässigten Boyang und Moran. Doch als eine weitere Freundin, Shaoai, vergiftet wird und ins Koma fällt, geht ihre Freundschaft auseinander. Shaoai hatte mit dem Tiananmen-Aufstand sympathisiert, der Vorfall wird nicht geklärt. Boyang macht danach im modernen China als Geschäftsmann Karriere und bleibt doch ähnlich heimatlos wie Ruyu und Moran nach ihrer Emigration in die USA. Als nach zwanzig Jahren die Nachricht vom Tod Shaoais kommt, holt sie alle die verdrängte Vergangenheit wieder ein.