Bookbot

Der rauchende Berg

Geschichten aus Nachkriegsdeutschland

Autorzy

Ocena książki

Parametry

  • 253 strony
  • 9 godzin czytania

Więcej o książce

A collection of eleven short stories of occupied Germany where Kay Boyle has spent the last two years, introduced by a longer piece on the trial of the ""Frankfort Butcher"", Heinrich Boab. Both here, and in the stories, the ""true computation is fervently made"" that here, in the German people, is no realization of guilt, no knowledge of guilt. The stories are enormously effective, compassionate, bitter, sharpened by the understated, the unsaid,-and it is in the short story situation (rather than in the novel) that Kay Boyle is particularly gifted. There's the arson revenge of a German child against an American family; a take-off of the Amis in Cabaret, a touching tribute to a soldier, and the little boy he outfits, and a harsh scoring of the occupation's bigger brass; and The Lost and Adam's Tod give a powerful, tacit portrayal of the victims- young and old- of displacement and discrimination... If not keyed to the preferences of her more popular audience, this will carry to her earlier, discriminating following.

Wydanie

Zakup książki

Der rauchende Berg, Kay Boyle

Język
Rok wydania
1991
Oprawa
(twarda)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

5,0
Doskonała
1 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Der rauchende Berg
Podtytuł
Geschichten aus Nachkriegsdeutschland
Język
niemiecki
Autorzy
Kay Boyle
Rok wydania
1991
Oprawa
twarda
Liczba stron
253
ISBN10
3801502481
ISBN13
9783801502485
Seria
Oryginalna nazwa
The smoking mountain
Ocena
5 z 5
Opis
A collection of eleven short stories of occupied Germany where Kay Boyle has spent the last two years, introduced by a longer piece on the trial of the ""Frankfort Butcher"", Heinrich Boab. Both here, and in the stories, the ""true computation is fervently made"" that here, in the German people, is no realization of guilt, no knowledge of guilt. The stories are enormously effective, compassionate, bitter, sharpened by the understated, the unsaid,-and it is in the short story situation (rather than in the novel) that Kay Boyle is particularly gifted. There's the arson revenge of a German child against an American family; a take-off of the Amis in Cabaret, a touching tribute to a soldier, and the little boy he outfits, and a harsh scoring of the occupation's bigger brass; and The Lost and Adam's Tod give a powerful, tacit portrayal of the victims- young and old- of displacement and discrimination... If not keyed to the preferences of her more popular audience, this will carry to her earlier, discriminating following.