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No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world.
Zakup książki
Introductory lectures on aesthetics, Georg Wilhelm Friedrich Hegel
- Język
- Rok wydania
- 1993
- Oprawa
- (miękka)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Introductory lectures on aesthetics
- Język
- angielski
- Wydawca
- Penguin Books
- Rok wydania
- 1993
- Oprawa
- miękka
- ISBN10
- 014043335X
- ISBN13
- 9780140433357
- Tagi
- Tematyka filozoficzna, Tematy prawne, Sztuka, Literatura niemiecka, Polityka, Niemcy, Szkoła, Prezenty dla dziadka, XIX wiek, Historia kultury, Teorie naukowe, Teoria prawa, Prawo rodzinne, Filozofia historii, Filozofia prawa
- Oryginalna nazwa
- Grundlinien der Philosophie des Rechts,
- Ocena
- 3,9 z 5
- Opis
- No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world.