Bookbot

Color correction

Autorzy

Ocena książki

Parametry

  • 200 stron
  • 7 godzin czytania

Więcej o książce

This book intends to correct the somewhat blurred image of Ernst Haas’s color photography which, due to its extraordinary vibrancy, was much in demand by the illustrated press of its time. Haas’s color work, published in the most influential magazines and various books in Europe and America, earned him worldwide fame, but at the same time has often been derided by critics and curators as too easily accessible and not sufficiently “serious.” As a result, his reputation has suffered in comparison with a younger generation of color photographers, notably Eggleston, Shore and Meyerowitz. However, such criticism usually overlooks the astonishing sensibility of Haas’s personal work in color, which constantly but almost invisibly accompanied his commissioned photography and was far more radical and ambiguous. Haas never printed these pictures in his lifetime, let alone exhibit them. With their striking inventiveness and complexity, they firmly stand their ground in the face of the work of Haas’s fellow photographers. Due to its enormous popularity, Steidl is now offering Color Correction in a new, unaltered edition.

Wydanie

Zakup książki

Color correction, Ernst Haas

Język
Rok wydania
2016
Oprawa
(twarda)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,2
Bardzo dobra
27 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Color correction
Język
angielski
Autorzy
Ernst Haas
Wydawca
Steidl
Rok wydania
2016
Oprawa
twarda
Liczba stron
200
ISBN10
3958290566
ISBN13
9783958290563
Seria
Tagi
Ocena
4,2 z 5
Opis
This book intends to correct the somewhat blurred image of Ernst Haas’s color photography which, due to its extraordinary vibrancy, was much in demand by the illustrated press of its time. Haas’s color work, published in the most influential magazines and various books in Europe and America, earned him worldwide fame, but at the same time has often been derided by critics and curators as too easily accessible and not sufficiently “serious.” As a result, his reputation has suffered in comparison with a younger generation of color photographers, notably Eggleston, Shore and Meyerowitz. However, such criticism usually overlooks the astonishing sensibility of Haas’s personal work in color, which constantly but almost invisibly accompanied his commissioned photography and was far more radical and ambiguous. Haas never printed these pictures in his lifetime, let alone exhibit them. With their striking inventiveness and complexity, they firmly stand their ground in the face of the work of Haas’s fellow photographers. Due to its enormous popularity, Steidl is now offering Color Correction in a new, unaltered edition.