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Josef Albers: no tricks, no twinkling of the eyes

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  • 200 stron
  • 7 godzin czytania

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Josef No Tricks, No Twinkling of the Eyes presents a reading of Albers' artistic and pedagogic legacy through the lens of contemporary artists, writers and art historians. Selections from Albers' own writings, including classic texts such as "On My Painting," "Color" and "On My Homage to the Square," mingle with essays by well-known Albers scholars Nicholas Fox Weber ("Minimal Means, Maximum Effect") and Jeannette Redensek ("On Josef Albers' Painting Materials and Techniques"); meditations by Norwegian artist Dag Erik Elgin ("Preparing for Painting to Happen"), Eva Diaz ("Jailbreaking Geometric Abstraction") and Doug Ashford ("Dear Josef"); and a collage sequence by Andrea Geyer that pays homage to Albers' prints. A wealth of color reproductions of Albers' paintings, prints and furniture are dispersed throughout the book. The design of this handsome, clothbound volume, by Jeanne Betak, draws on Albers' own typography and design sensibility.

Zakup książki

Josef Albers: no tricks, no twinkling of the eyes, Tone Hansen

Język
Rok wydania
2014
Oprawa
(twarda)
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Tytuł
Josef Albers: no tricks, no twinkling of the eyes
Język
angielski
Wydawca
König
Rok wydania
2014
Oprawa
twarda
Liczba stron
200
ISBN10
3863356144
ISBN13
9783863356149
Seria
Opis
Josef No Tricks, No Twinkling of the Eyes presents a reading of Albers' artistic and pedagogic legacy through the lens of contemporary artists, writers and art historians. Selections from Albers' own writings, including classic texts such as "On My Painting," "Color" and "On My Homage to the Square," mingle with essays by well-known Albers scholars Nicholas Fox Weber ("Minimal Means, Maximum Effect") and Jeannette Redensek ("On Josef Albers' Painting Materials and Techniques"); meditations by Norwegian artist Dag Erik Elgin ("Preparing for Painting to Happen"), Eva Diaz ("Jailbreaking Geometric Abstraction") and Doug Ashford ("Dear Josef"); and a collage sequence by Andrea Geyer that pays homage to Albers' prints. A wealth of color reproductions of Albers' paintings, prints and furniture are dispersed throughout the book. The design of this handsome, clothbound volume, by Jeanne Betak, draws on Albers' own typography and design sensibility.