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Color and light

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  • 248 stron
  • 9 godzin czytania

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Inspired by the work of Realist painters such as Gustave Courbet and Francois Bonvin, Henri-Edmond Cross’s earliest paintings were compositions in dark, somber colors. Following his involvement with the avant-gardist circle around Georges Seurat, he gradually adopted the Neo-Impressionist technique and began to develop a unique visual vocabulary. After his move to the Mediterranean coast in 1891, Cross’s palette became increasingly lighter, resulting in dazzlingly colorful landscapes, genre paintings, and compositions that are overlaid with mythological and allegorical allusions. This volume traces Cross’s artistic trajectory through all stages of his prolific career and situates his masterful approach to color and light within the broader context of the European avant-garde of his time. In addition, it examines the painter’s anarchist sympathies and the political dimensions of his depictions of utopian sceneries. With contributions by RAPHAËL DUPOUY, MARINA FERRETTI BOCQUILLON, ANNETTE HAUDIQUET, MONIQUE NONNE, VALÉRIE REIS, RICHARD THOMSON, und DANIEL ZAMANI

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Color and light, Henri Edmond Cross

Język
Rok wydania
2018
Oprawa
(twarda)
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Tytuł
Color and light
Język
angielski
Wydawca
Prestel
Rok wydania
2018
Oprawa
twarda
Liczba stron
248
ISBN10
3791357735
ISBN13
9783791357737
Seria
Ocena
4 z 5
Opis
Inspired by the work of Realist painters such as Gustave Courbet and Francois Bonvin, Henri-Edmond Cross’s earliest paintings were compositions in dark, somber colors. Following his involvement with the avant-gardist circle around Georges Seurat, he gradually adopted the Neo-Impressionist technique and began to develop a unique visual vocabulary. After his move to the Mediterranean coast in 1891, Cross’s palette became increasingly lighter, resulting in dazzlingly colorful landscapes, genre paintings, and compositions that are overlaid with mythological and allegorical allusions. This volume traces Cross’s artistic trajectory through all stages of his prolific career and situates his masterful approach to color and light within the broader context of the European avant-garde of his time. In addition, it examines the painter’s anarchist sympathies and the political dimensions of his depictions of utopian sceneries. With contributions by RAPHAËL DUPOUY, MARINA FERRETTI BOCQUILLON, ANNETTE HAUDIQUET, MONIQUE NONNE, VALÉRIE REIS, RICHARD THOMSON, und DANIEL ZAMANI