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Every Day is for the Thief. Jeder Tag gehört dem Dieb, englische Ausgabe

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  • 176 stron
  • 7 godzin czytania

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"Visiting Lagos after many years away, Teju Cole's unnamed narrator rediscovers his hometown as both a foreigner and a local. A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself. Just as Open City uses New York to reveal layers of the narrator's soul, in Every Day is for the Thief the complex, beautiful, generous, and corrupt city of Lagos exposes truths about our protagonist, and ourselves"--

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Every Day is for the Thief. Jeder Tag gehört dem Dieb, englische Ausgabe, Teju Cole

Język
Rok wydania
2015
Oprawa
(miękka)
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3,7
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110 Ocena

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Tytuł
Every Day is for the Thief. Jeder Tag gehört dem Dieb, englische Ausgabe
Język
angielski
Autorzy
Teju Cole
Rok wydania
2015
Oprawa
miękka
Liczba stron
176
ISBN10
0571307949
ISBN13
9780571307944
Seria
Kategorie
Oryginalna nazwa
Every day is for the thief
Ocena
3,65 z 5
Opis
"Visiting Lagos after many years away, Teju Cole's unnamed narrator rediscovers his hometown as both a foreigner and a local. A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself. Just as Open City uses New York to reveal layers of the narrator's soul, in Every Day is for the Thief the complex, beautiful, generous, and corrupt city of Lagos exposes truths about our protagonist, and ourselves"--