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Twilight of the Idols and The Anti-Christ

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  • 208 stron
  • 8 godzin czytania

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In 1888, the last sane year of his life Nietzsche produced these two brief but devastating books. Twilight of the Idols, 'a grand declaration of war' on all the prevalent ideas of his time, offers a lightning tour of his whole philosophy. It also prepares the way for The Anti-Christ, a final assault on institutional Christianity. Yet although Nietzsche makes a compelling case for the 'Dionysian' artist and celebrates magnificently two of his great heroes, Goethe and Cesare Borgia, he also gives a moving, almost ecstatic portrait of his only worthy opponent: Christ. Both works show Nietsche lashing out at self-deception, astounded at how often morality is based on vengefulness and resentment. Both combine utterly unfair attacks on individuals with amazingly acute surveys of the whole contemporary cultural scene. Both reveal a profound understanding of human mean-spiritedness which still cannot destroy the underlying optimism of Nietzsche, the supreme affirmer among the great philosophers.

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Twilight of the Idols and The Anti-Christ, Friedrich Wilhelm Nietzsche

Język
Rok wydania
1969
Oprawa
(miękka)
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Metody płatności

3,6
Bardzo dobra
471 Ocena

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Tytuł
Twilight of the Idols and The Anti-Christ
Język
angielski
Rok wydania
1969
Oprawa
miękka
Liczba stron
208
ISBN10
0140442073
ISBN13
9780140442076
Seria
Pierwsze wydanie
1895
Oryginalna nazwa
Der Antichrist
Ocena
3,6 z 5
Opis
In 1888, the last sane year of his life Nietzsche produced these two brief but devastating books. Twilight of the Idols, 'a grand declaration of war' on all the prevalent ideas of his time, offers a lightning tour of his whole philosophy. It also prepares the way for The Anti-Christ, a final assault on institutional Christianity. Yet although Nietzsche makes a compelling case for the 'Dionysian' artist and celebrates magnificently two of his great heroes, Goethe and Cesare Borgia, he also gives a moving, almost ecstatic portrait of his only worthy opponent: Christ. Both works show Nietsche lashing out at self-deception, astounded at how often morality is based on vengefulness and resentment. Both combine utterly unfair attacks on individuals with amazingly acute surveys of the whole contemporary cultural scene. Both reveal a profound understanding of human mean-spiritedness which still cannot destroy the underlying optimism of Nietzsche, the supreme affirmer among the great philosophers.