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David Hockney

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  • 200 stron
  • 7 godzin czytania

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This consideration of Hockney's work from 1960 to the early nineties dispels myths and opens up new lines of inquiry concerning his contributions to post-modern art. Filled with beautiful colour plates of his paintings, the book draws on extensive research and the artist's personal archives. In a broad chronological format, the book reveals the major phases in Hockney's oeuvre: his early years as a student at the Royal College of Art in London and his ironic experimentation with different styles of painting; his images of life in southern California; his highly personal portraits and their studies in perspective; his reinterpretations of modernist paintings; and his forays into photo-collage. The authors' incisive commentary reveals how Hockney's paintings question, parody and undermine accepted ideas about modern art, while forcing us to reconsider our assumptions about originality and creativity.

Wydanie

Zakup książki

David Hockney, Paul Melia

Język
Rok wydania
2007
Oprawa
(miękka)
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4,3
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38 Ocena

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Tytuł
David Hockney
Język
angielski
Autorzy
Paul Melia
Wydawca
Prestel
Rok wydania
2007
Oprawa
miękka
Liczba stron
200
ISBN10
3791337181
ISBN13
9783791337180
Seria
Tagi
Sztuka
Ocena
4,25 z 5
Opis
This consideration of Hockney's work from 1960 to the early nineties dispels myths and opens up new lines of inquiry concerning his contributions to post-modern art. Filled with beautiful colour plates of his paintings, the book draws on extensive research and the artist's personal archives. In a broad chronological format, the book reveals the major phases in Hockney's oeuvre: his early years as a student at the Royal College of Art in London and his ironic experimentation with different styles of painting; his images of life in southern California; his highly personal portraits and their studies in perspective; his reinterpretations of modernist paintings; and his forays into photo-collage. The authors' incisive commentary reveals how Hockney's paintings question, parody and undermine accepted ideas about modern art, while forcing us to reconsider our assumptions about originality and creativity.