Bookbot

Jan Lievens

Friend and Rival of the young Rembrandt

Parametry

  • 488 stron
  • 18 godzin czytania

Więcej o książce

Jan Lievens (1607–1674), Rembrandt’s boyhood friend, who embarked on an artistic career even earlier than his companion, once again is as highly regarded as during his lifetime, thanks to numerous recent publications and several exhibitions. The present monograph and catalogue raisonné discuss and analyze for the first time the extensive output of his early Leiden years: his paintings, drawings, and etchings from 1623 to 1632. Besides the book’s comprehensiveness and consideration of the artist’s work in the context of his Netherlandish contemporaries from Haarlem, Utrecht, and Antwerp, special emphasis is placed on establishing the chronology of his œuvre. Only a solid foundation such as this would make it possible to determine more precisely than before Lievens’s much discussed relationship to Rembrandt. What transpired was a most lively give and take between two young artists intensely searching for new ways of artistic expression whose later development after their respective move from Leiden took very different paths. Consequently, the careful examination of Lievens’s early œuvre sheds new light on Rembrandt’s Leiden work.

Zakup książki

Jan Lievens, Bernhard Schnackenburg

Język
Rok wydania
2016
Oprawa
(twarda)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

Nikt jeszcze nie ocenił.Oceń

Tytuł
Jan Lievens
Podtytuł
Friend and Rival of the young Rembrandt
Język
angielski
Rok wydania
2016
Oprawa
twarda
Liczba stron
488
ISBN10
3731903334
ISBN13
9783731903338
Seria
Tagi
Opis
Jan Lievens (1607–1674), Rembrandt’s boyhood friend, who embarked on an artistic career even earlier than his companion, once again is as highly regarded as during his lifetime, thanks to numerous recent publications and several exhibitions. The present monograph and catalogue raisonné discuss and analyze for the first time the extensive output of his early Leiden years: his paintings, drawings, and etchings from 1623 to 1632. Besides the book’s comprehensiveness and consideration of the artist’s work in the context of his Netherlandish contemporaries from Haarlem, Utrecht, and Antwerp, special emphasis is placed on establishing the chronology of his œuvre. Only a solid foundation such as this would make it possible to determine more precisely than before Lievens’s much discussed relationship to Rembrandt. What transpired was a most lively give and take between two young artists intensely searching for new ways of artistic expression whose later development after their respective move from Leiden took very different paths. Consequently, the careful examination of Lievens’s early œuvre sheds new light on Rembrandt’s Leiden work.