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This study of life, thought and art in France and the Netherlands in the 14th and 15th centuries remains a classic historical work. In it, Johan Huizinga challenges the prevailing notion that the Middle Ages were just a prelude to the Renaissance. Examining in detail the work of the brothers Van Eyck, he goes on to demonstrate his belief that the actions of princes and statesmen, the chivalry of knights, and the outpourings of theologians, artists, poets and chroniclers were the final and perfect flowering of an older style of life. He ends his work by concluding that in an age of violent contrasts and impressive forms there was a tone of passion in everyday life that helped produce that perpetual oscillation between despair and distracted joy, between cruelty and pious tenderness, which characterize life in the Middle Ages.
Zakup książki
The Waning of the Middle Ages, Johan Huizinga
- Język
- Rok wydania
- 1954
- Oprawa
- (miękka),
- Stan książki
- Bardzo dobry
- Cena
- 68,79 zł
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- The Waning of the Middle Ages
- Język
- angielski
- Autorzy
- Johan Huizinga
- Wydawca
- Doubleday Anchor Books
- Rok wydania
- 1954
- Oprawa
- miękka
- Seria
- Kategorie
- Tagi
- Tematy historyczne, Sztuka, Francja, Europa, Średniowiecze, Historia sztuki, Historia Europy, Historia kultury, Historia życia codziennego, Holandia, XV wiek, XIV wiek, Historia Francji, Późne średniowiecze, Burgundia, Flandria, Flandria
- Pierwsze wydanie
- 1919
- Oryginalna nazwa
- Herfsttij der Middeleeuwen
- Ocena
- 4,05 z 5
- Opis
- This study of life, thought and art in France and the Netherlands in the 14th and 15th centuries remains a classic historical work. In it, Johan Huizinga challenges the prevailing notion that the Middle Ages were just a prelude to the Renaissance. Examining in detail the work of the brothers Van Eyck, he goes on to demonstrate his belief that the actions of princes and statesmen, the chivalry of knights, and the outpourings of theologians, artists, poets and chroniclers were the final and perfect flowering of an older style of life. He ends his work by concluding that in an age of violent contrasts and impressive forms there was a tone of passion in everyday life that helped produce that perpetual oscillation between despair and distracted joy, between cruelty and pious tenderness, which characterize life in the Middle Ages.





