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Dr. Jekyll And Mr. Hide / Dr. Jekyll ve Mr. Hyde

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"The Strange Case of Dr. Jekyll and Mr. Hyde," published in 1886, became a bestseller with 40,000 copies sold in six months. The narrative is inspired by the true story of Deacon Brodie, an Edinburgh carpenter who led a secret double life and ultimately faced execution. Stevenson had previously written a play about this case as a teenager, titled "Deacon Brodie, or The Double Life," which was performed in 1882. The impetus for the novella came from a vivid dream in late September or early October 1885, after which Stevenson quickly drafted a first version. While recovering in Bournemouth, he experienced a near-fatal hemorrhage just before the dream and wrote almost feverishly. His wife criticized the initial draft, leading Stevenson to burn it and produce an allegorical second version within a week. The story blends various narrative styles and features a distinct tonal shift between the narrator and the embedded documents, showcasing Stevenson’s stylistic virtuosity, which was essential to preserve in translation.

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Dr. Jekyll And Mr. Hide / Dr. Jekyll ve Mr. Hyde, Robert Louis Stevenson

Język
Rok wydania
Oprawa
(miękka)
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Metody płatności

3,9
Bardzo dobra
517591 Ocena

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Tytuł
Dr. Jekyll And Mr. Hide / Dr. Jekyll ve Mr. Hyde
Język
angielski, turecki
Oprawa
miękka
ISBN10
605451900X
ISBN13
9786054519002
Seria
Pierwsze wydanie
1886
Oryginalna nazwa
The Strange Case of Dr Jekyll and Mr Hyde
Ocena
3,85 z 5
Opis
"The Strange Case of Dr. Jekyll and Mr. Hyde," published in 1886, became a bestseller with 40,000 copies sold in six months. The narrative is inspired by the true story of Deacon Brodie, an Edinburgh carpenter who led a secret double life and ultimately faced execution. Stevenson had previously written a play about this case as a teenager, titled "Deacon Brodie, or The Double Life," which was performed in 1882. The impetus for the novella came from a vivid dream in late September or early October 1885, after which Stevenson quickly drafted a first version. While recovering in Bournemouth, he experienced a near-fatal hemorrhage just before the dream and wrote almost feverishly. His wife criticized the initial draft, leading Stevenson to burn it and produce an allegorical second version within a week. The story blends various narrative styles and features a distinct tonal shift between the narrator and the embedded documents, showcasing Stevenson’s stylistic virtuosity, which was essential to preserve in translation.