Bookbot

The Faces

Ocena książki

Parametry

  • 176 stron
  • 7 godzin czytania

Więcej o książce

'One of Denmark's most celebrated writers' New Statesman From the acclaimed author of the Copenhagen Trilogy, a searing, haunting novel of a woman on the edge, portrayed with all the vividness of lived experience. Copenhagen, 1968. Lise, a children's book writer and married mother of three, is increasingly haunted by disembodied faces and voices. She is convinced that her husband, already extravagantly unfaithful, will leave her. Most of all, she is scared that she will never write again. Yet as she descends into a world of pills and hospitals, she begins to wonder, is insanity really something to be feared, or does it bring a kind of freedom? 'Ditlevsen explores the surprising contours of Lise's experience: from her point of view, madness can be funny, soft and secure, and far more enlightening than the "reality" it struggles to evade' The New York Times Translated by Tiina Nunnally

Zakup książki

The Faces, Tove Ditlevsen

Język
Rok wydania
2021
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,0
Bardzo dobra
1647 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
The Faces
Język
angielski
Rok wydania
2021
Oprawa
miękka
Liczba stron
176
ISBN10
0241391911
ISBN13
9780241391914
Seria
Kategorie
Ocena
3,95 z 5
Opis
'One of Denmark's most celebrated writers' New Statesman From the acclaimed author of the Copenhagen Trilogy, a searing, haunting novel of a woman on the edge, portrayed with all the vividness of lived experience. Copenhagen, 1968. Lise, a children's book writer and married mother of three, is increasingly haunted by disembodied faces and voices. She is convinced that her husband, already extravagantly unfaithful, will leave her. Most of all, she is scared that she will never write again. Yet as she descends into a world of pills and hospitals, she begins to wonder, is insanity really something to be feared, or does it bring a kind of freedom? 'Ditlevsen explores the surprising contours of Lise's experience: from her point of view, madness can be funny, soft and secure, and far more enlightening than the "reality" it struggles to evade' The New York Times Translated by Tiina Nunnally