Parametry
Więcej o książce
"Starting from his own personal perspective and with war in Kosovo as a backdrop, Kustow begins with a sobering and often funny account of his Sisyphean efforts to produce Tantalus, a fifteen-hour theatre epic about the Trojan War by John Barton. Then turning his gaze to crucial theatre events of the past fifty years, Kustow explores many different paths: the rise of the Royal Shakespeare Company and its renewal of classical language; the creation of the National Theatre; the vanguard work of such pioneers as Jerzy Grotowski, Pina Bausch and Pip Simmons; television's on-off relationship with theatre; and the cutting-edge work of dramatists like Mark Ravenhill and companies like Theatre de Complicite. Kustow's quest for the roots of theatre leads him into encounters with important post-war and contemporary theatre makers such as Peter Brook, John Barton, Peter Hall, Tony Harrison, Ariane Mnouchkine, Peter Sellars, Robert Lepage, Pieter-Dirk Uys and Simon McBurney."--BOOK JACKET
Zakup książki
Theatre@risk, Michael Kustow
- Język
- Rok wydania
- 2000
- Oprawa
- (twarda),
- Stan książki
- Dobry
- Cena
- 19,43 zł
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Theatre@risk
- Język
- angielski
- Autorzy
- Michael Kustow
- Wydawca
- Methuen
- Rok wydania
- 2000
- Oprawa
- twarda
- ISBN10
- 0413738205
- ISBN13
- 9780413738202
- Seria
- Tagi
- Teatr
- Ocena
- 3,5 z 5
- Opis
- "Starting from his own personal perspective and with war in Kosovo as a backdrop, Kustow begins with a sobering and often funny account of his Sisyphean efforts to produce Tantalus, a fifteen-hour theatre epic about the Trojan War by John Barton. Then turning his gaze to crucial theatre events of the past fifty years, Kustow explores many different paths: the rise of the Royal Shakespeare Company and its renewal of classical language; the creation of the National Theatre; the vanguard work of such pioneers as Jerzy Grotowski, Pina Bausch and Pip Simmons; television's on-off relationship with theatre; and the cutting-edge work of dramatists like Mark Ravenhill and companies like Theatre de Complicite. Kustow's quest for the roots of theatre leads him into encounters with important post-war and contemporary theatre makers such as Peter Brook, John Barton, Peter Hall, Tony Harrison, Ariane Mnouchkine, Peter Sellars, Robert Lepage, Pieter-Dirk Uys and Simon McBurney."--BOOK JACKET




