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Penguin Classics: The Death of the Heart

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  • 320 stron
  • 12 godzin czytania

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Five words of advice on reading Elizabeth Bowen: Resist the urge to skim. In her work, prose flows continuously, capturing the sensations and ironies of conscious living until the final effect is profound. This is not for those who prefer minimalism; Bowen's characters are acutely aware, and she catalogues every moment and glance. Readers must engage fully, as hidden within her lengthy descriptions are sharp, humorous insights: "Absence blots people out. We really have no absent friends." Skimmers will miss these gems. In another work, Bowen explores the destructive power of innocence, revealing that those who are inwardly innocent often become disingenuous. They are strangers to the world, striving for happiness while inadvertently causing cruelty and suffering. The rarity of true innocence means that when two such individuals meet, they leave a trail of victims behind. Bowen’s keen eye for moral nuances is matched by her understanding of human interactions with the material world. Her writing on emotional and meteorological weather rivals that of Henry James: "One's first day by the sea, one's being feels salt, strong, resilient, and hollow—like a seaweed pod not giving under the heel." Always a sensitive observer, Bowen excels in psychological depth, particularly in her notable works, where she masterfully keeps the action within her characters' minds.

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Penguin Classics: The Death of the Heart, Elizabeth Bowen

Język
Rok wydania
1962
Oprawa
(miękka)
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Tytuł
Penguin Classics: The Death of the Heart
Język
angielski
Rok wydania
1962
Oprawa
miękka
Liczba stron
320
ISBN10
0140183000
ISBN13
9780140183009
Seria
Oryginalna nazwa
The death of the heart
Ocena
3,65 z 5
Opis
Five words of advice on reading Elizabeth Bowen: Resist the urge to skim. In her work, prose flows continuously, capturing the sensations and ironies of conscious living until the final effect is profound. This is not for those who prefer minimalism; Bowen's characters are acutely aware, and she catalogues every moment and glance. Readers must engage fully, as hidden within her lengthy descriptions are sharp, humorous insights: "Absence blots people out. We really have no absent friends." Skimmers will miss these gems. In another work, Bowen explores the destructive power of innocence, revealing that those who are inwardly innocent often become disingenuous. They are strangers to the world, striving for happiness while inadvertently causing cruelty and suffering. The rarity of true innocence means that when two such individuals meet, they leave a trail of victims behind. Bowen’s keen eye for moral nuances is matched by her understanding of human interactions with the material world. Her writing on emotional and meteorological weather rivals that of Henry James: "One's first day by the sea, one's being feels salt, strong, resilient, and hollow—like a seaweed pod not giving under the heel." Always a sensitive observer, Bowen excels in psychological depth, particularly in her notable works, where she masterfully keeps the action within her characters' minds.