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Finding the Raga: An Improvisation on Indian Music

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  • 272 strony
  • 10 godzin czytania

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Finding the Raga transcends a mere exploration of Indian classical music and its challenge to Western musical notions. It serves as a profound work of self-inquiry by Amit Chaudhuri, a multifaceted artist—musician, novelist, critic, and essayist. His journey through various musical identities, from a trained Indian classical vocalist to a guitarist in American folk and now an experimental composer, reflects significant life transitions that offer fresh perspectives on music and writing. The book defies rigid categorizations of Indian and Western music, presenting a pivotal moment in the author's life as he embraces North Indian music and its lasting impact. It intertwines autobiography, particularly set in 1970s Bombay, with essays and a detailed analysis of music's conceptual foundations and experiential aspects. The narrative delves into how music interacts with the world—whether through representation, as seen in Western traditions, or through the raga's connection to time and season in Indian music. It also seeks to understand the act of listening and its significance for individuals and cultures alike.

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Finding the Raga: An Improvisation on Indian Music, Amit Chaudhuri

Język
Rok wydania
2021
Oprawa
(miękka)
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3,6
Bardzo dobra
106 Ocena

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Tytuł
Finding the Raga: An Improvisation on Indian Music
Język
angielski
Rok wydania
2021
Oprawa
miękka
Liczba stron
272
ISBN13
9781681374789
Seria
Ocena
3,55 z 5
Opis
Finding the Raga transcends a mere exploration of Indian classical music and its challenge to Western musical notions. It serves as a profound work of self-inquiry by Amit Chaudhuri, a multifaceted artist—musician, novelist, critic, and essayist. His journey through various musical identities, from a trained Indian classical vocalist to a guitarist in American folk and now an experimental composer, reflects significant life transitions that offer fresh perspectives on music and writing. The book defies rigid categorizations of Indian and Western music, presenting a pivotal moment in the author's life as he embraces North Indian music and its lasting impact. It intertwines autobiography, particularly set in 1970s Bombay, with essays and a detailed analysis of music's conceptual foundations and experiential aspects. The narrative delves into how music interacts with the world—whether through representation, as seen in Western traditions, or through the raga's connection to time and season in Indian music. It also seeks to understand the act of listening and its significance for individuals and cultures alike.