Bookbot

Cain Named the Animal

Ocena książki

Parametry

  • 96 stron
  • 4 godziny czytania

Więcej o książce

A prophetic new collection of poems from Shane McCrae, “a shrewd composer of American stories" (Dan Chiasson, The New Yorker) Writing you I give the death I take I know I should feel wounded by your death I write to you to make a wound write back Shane McCrae fashions a world of endings and infinites in Cain Named the Animal. With cyclical, rhythmic lines that create and re-create images of our shared and specific pasts, McCrae's work moves into and through the wounds that we remember and “strains toward a vision of joy” (Will Brewbaker, Los Angeles Review of Books). Cain Named the Animal expands upon the biblical, heavenly world that McCrae has been building throughout his previous collections; he writes of Eden, of the lost tribe that watched time enter the garden and God rehearse the world, and of the cartoon torments of hell. Yet for McCrae, these outer bounds of our universe are inseparable from the lives and deaths on Earth, from the mundanities and miracles of time passing and people growing up, growing old, and growing apart. As he writes, “God first thought time itself / Was flawed but time was God’s first mirror.”

Wydanie

Zakup książki

Cain Named the Animal, Shane McCrae

Język
Rok wydania
2023
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

3,6
Bardzo dobra
7 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Cain Named the Animal
Język
angielski
Rok wydania
2023
Oprawa
miękka
Liczba stron
96
ISBN10
0374607842
ISBN13
9780374607845
Seria
Kategorie
Tagi
Ocena
3,55 z 5
Opis
A prophetic new collection of poems from Shane McCrae, “a shrewd composer of American stories" (Dan Chiasson, The New Yorker) Writing you I give the death I take I know I should feel wounded by your death I write to you to make a wound write back Shane McCrae fashions a world of endings and infinites in Cain Named the Animal. With cyclical, rhythmic lines that create and re-create images of our shared and specific pasts, McCrae's work moves into and through the wounds that we remember and “strains toward a vision of joy” (Will Brewbaker, Los Angeles Review of Books). Cain Named the Animal expands upon the biblical, heavenly world that McCrae has been building throughout his previous collections; he writes of Eden, of the lost tribe that watched time enter the garden and God rehearse the world, and of the cartoon torments of hell. Yet for McCrae, these outer bounds of our universe are inseparable from the lives and deaths on Earth, from the mundanities and miracles of time passing and people growing up, growing old, and growing apart. As he writes, “God first thought time itself / Was flawed but time was God’s first mirror.”