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The Prisoner: In Search of Lost Time, Volume 5 (Penguin Classics Deluxe Edition)

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  • 448 stron
  • 16 godzin czytania

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"Carol Clark's acclaimed new translation of The Prisoner introduces a new generation of American readers to the literary riches of Marcel Proust. The fifth volume in Penguin's superb edition of In Search of Lost Time -- the first completely new translation of Proust's masterpiece since the 1920s -- brings us a more comic and lucid prose than readers of English have previously been able to enjoy. In The Prisoner -- the volume that represents 'the very summit of Proust's art' (Slate) -- the prisoner is Albertine, the tall, dark orphan with whom Marcel had fallen in love at the end of Sodom and Gomorrah (volume 4). Marcel, who worries obsessively about Albertine's relationships with other women, grows more and more irrational in his attempt to control her, keeping her prisoner in his family's apartment in Paris and buying her couture gowns, furs, and jewelry in an attempt to protect her from herself and from the outside world. And yet in addition to being a tragedy of possessive love, The Prisoner is also a comedy of human folly and misunderstanding, linked to the other volumes of the larger novel through its themes of class differences, art, irrationality, social snobbery, and, of course, time and memory."-- book jacket

Zakup książki

The Prisoner: In Search of Lost Time, Volume 5 (Penguin Classics Deluxe Edition), Marcel Proust

Język
Rok wydania
2019
Oprawa
(miękka)
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4,3
Bardzo dobra
337 Ocena

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Tytuł
The Prisoner: In Search of Lost Time, Volume 5 (Penguin Classics Deluxe Edition)
Język
angielski
Rok wydania
2019
Oprawa
miękka
Liczba stron
448
ISBN10
0143133594
ISBN13
9780143133599
Kategorie
Ocena
4,3 z 5
Opis
"Carol Clark's acclaimed new translation of The Prisoner introduces a new generation of American readers to the literary riches of Marcel Proust. The fifth volume in Penguin's superb edition of In Search of Lost Time -- the first completely new translation of Proust's masterpiece since the 1920s -- brings us a more comic and lucid prose than readers of English have previously been able to enjoy. In The Prisoner -- the volume that represents 'the very summit of Proust's art' (Slate) -- the prisoner is Albertine, the tall, dark orphan with whom Marcel had fallen in love at the end of Sodom and Gomorrah (volume 4). Marcel, who worries obsessively about Albertine's relationships with other women, grows more and more irrational in his attempt to control her, keeping her prisoner in his family's apartment in Paris and buying her couture gowns, furs, and jewelry in an attempt to protect her from herself and from the outside world. And yet in addition to being a tragedy of possessive love, The Prisoner is also a comedy of human folly and misunderstanding, linked to the other volumes of the larger novel through its themes of class differences, art, irrationality, social snobbery, and, of course, time and memory."-- book jacket