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Pavel Mára : fotografie 1969-2014 = photographs 1969-2014

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  • 314 stron
  • 11 godzin czytania

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PAVEL MÁRA is a distinctive European photographer. Born in Prague in 1951, for almost two decades now he has been a teacher at the Institute of Creative Photography, Silesian University, Opava. That is the calling to which he was predestined by his art, which entails working with concepts and meticulously thinking things through. The look of his works often stems from new interpretations of the possibilities of the photographic medium. Mára creates in series, some of which are remarkable depictions of the organic and inorganic world in geometric shapes. He achieves that, for example, by how he selects his shots. He does not use the usual technique of manipulating the photographic image. Often striking, surprising, and sometimes even unreal, colour is an independent component of Mára’s photographs. Yet he also employs a detailed and bewitchingly clear transcription of photographed reality. His work in series excludes chance; it leaves the viewer in no doubt about the photographer’s intentions. (...) Derek & Marzia Paton

Zakup książki

Pavel Mára : fotografie 1969-2014 = photographs 1969-2014, Pavel Mára, Radana Ulverová, Derek Paton, Marzia Paton

Język
Rok wydania
2015
Oprawa
(twarda)
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Tytuł
Pavel Mára : fotografie 1969-2014 = photographs 1969-2014
Język
czeski, angielski
Wydawca
KANT
Rok wydania
2015
Oprawa
twarda
Liczba stron
314
ISBN10
8074371611
ISBN13
9788074371615
Seria
Opis
PAVEL MÁRA is a distinctive European photographer. Born in Prague in 1951, for almost two decades now he has been a teacher at the Institute of Creative Photography, Silesian University, Opava. That is the calling to which he was predestined by his art, which entails working with concepts and meticulously thinking things through. The look of his works often stems from new interpretations of the possibilities of the photographic medium. Mára creates in series, some of which are remarkable depictions of the organic and inorganic world in geometric shapes. He achieves that, for example, by how he selects his shots. He does not use the usual technique of manipulating the photographic image. Often striking, surprising, and sometimes even unreal, colour is an independent component of Mára’s photographs. Yet he also employs a detailed and bewitchingly clear transcription of photographed reality. His work in series excludes chance; it leaves the viewer in no doubt about the photographer’s intentions. (...) Derek & Marzia Paton