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Desperate Characters

With an introduction by Jonathan Franzen

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Otto and Sophie Bentwood live childless in a renovated Brooklyn brownstone. The complete works of Goethe line their bookshelf, their stainless-steel kitchen is newly installed, and their Mercedes is parked curbside. But after Sophie is bitten on the hand while trying to feed a half-starved neighborhood cat, a series of small and ominous disasters begin to plague their lives. The fault lines of their marriage are revealed — echoing the fractures of society around them, slowly wrenching itself apart. First published in 1970 to wide acclaim, Desperate Characters stands as one of the most dazzling and rigorous examples of the storyteller's craft in postwar American literature — a novel that, according to Irving Howe, ranks with " Billy Budd , The Great Gatsby , Miss Lonelyhearts , and Seize the Day ." "A towering landmark of postwar Realism…A sustained work of prose so lucid and fine it seems less written than carved." —David Foster Wallace

Zakup książki

Desperate Characters, Paula Fox

Język
Rok wydania
1999
Oprawa
(miękka)
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Metody płatności

3,5
Dobra
4491 Ocena

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Tytuł
Desperate Characters
Podtytuł
With an introduction by Jonathan Franzen
Język
angielski
Autorzy
Paula Fox
Rok wydania
1999
Oprawa
miękka
Liczba stron
156
ISBN10
039331894X
ISBN13
9780393318944
Seria
Pierwsze wydanie
1970
Oryginalna nazwa
Desperate Characters
Ocena
3,5 z 5
Opis
Otto and Sophie Bentwood live childless in a renovated Brooklyn brownstone. The complete works of Goethe line their bookshelf, their stainless-steel kitchen is newly installed, and their Mercedes is parked curbside. But after Sophie is bitten on the hand while trying to feed a half-starved neighborhood cat, a series of small and ominous disasters begin to plague their lives. The fault lines of their marriage are revealed — echoing the fractures of society around them, slowly wrenching itself apart. First published in 1970 to wide acclaim, Desperate Characters stands as one of the most dazzling and rigorous examples of the storyteller's craft in postwar American literature — a novel that, according to Irving Howe, ranks with " Billy Budd , The Great Gatsby , Miss Lonelyhearts , and Seize the Day ." "A towering landmark of postwar Realism…A sustained work of prose so lucid and fine it seems less written than carved." —David Foster Wallace