Bookbot

The Train

Ocena książki

Więcej o książce

Against all expectations Marcel Féron has made a “normal” life in a bucolic French suburb in the Ardennes. But on May 10, 1940, as Nazi tanks approach, this timid, happy man must abandon his home and confront the “Fate” that he has secretly awaited. Separated from his pregnant wife and young daughter in the chaos of flight, he joins a freight car of refugees hurtling southward ahead of the pursuing invaders. There, he meets Anna, a sad-looking, dark- haired girl, whose accent is “neither Belgian nor German,” and who “seemed foreign to everything around her.” As the mystery of Anna’s identity is gradually revealed, Marcel leaps from the heights of an exhilarating freedom to the depths of a terrifying responsibility—one that will lead him to a blood-chilling choice. When it first appeared in English in 1964, British novelist and critic Brigid Brophy declared The Train to be “the novel his admirers had been expecting all along from Simenon.” Until The Train, she wrote, the dazzlingly prolific novelist had been “a master without a masterpiece.”

Zakup książki

The Train, Georges Simenon

Język
Rok wydania
2011
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

3,8
Bardzo dobra
1228 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
The Train
Język
angielski
Rok wydania
2011
Oprawa
miękka
Liczba stron
153
ISBN10
1935554468
ISBN13
9781935554462
Seria
Oryginalna nazwa
Le train
Ocena
3,8 z 5
Opis
Against all expectations Marcel Féron has made a “normal” life in a bucolic French suburb in the Ardennes. But on May 10, 1940, as Nazi tanks approach, this timid, happy man must abandon his home and confront the “Fate” that he has secretly awaited. Separated from his pregnant wife and young daughter in the chaos of flight, he joins a freight car of refugees hurtling southward ahead of the pursuing invaders. There, he meets Anna, a sad-looking, dark- haired girl, whose accent is “neither Belgian nor German,” and who “seemed foreign to everything around her.” As the mystery of Anna’s identity is gradually revealed, Marcel leaps from the heights of an exhilarating freedom to the depths of a terrifying responsibility—one that will lead him to a blood-chilling choice. When it first appeared in English in 1964, British novelist and critic Brigid Brophy declared The Train to be “the novel his admirers had been expecting all along from Simenon.” Until The Train, she wrote, the dazzlingly prolific novelist had been “a master without a masterpiece.”