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Luncheon of the Boating Party

Ocena książki

Parametry

  • 448 stron
  • 16 godzin czytania

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From the bestelling author of GIRL IN HYACINTH BLUE, "A vivid exploration of one of the most beloved Renoir paintings in the world, done with a flourish worthy of Renoir himself" (USA Today) With her richly textured novels, Susan Vreeland has offered pioneering portraits of artists' lives. As she did in Girl in Hyacinth Blue, Vreeland focuses on a single painting, Auguste Renoir's instantly recognizable masterpiece, which depicts a gathering of Renoir's real friends enjoying a summer Sunday on a café terrace along the Seine. Narrated by Renoir and seven of the models, the novel illuminates the gusto, hedonism, and art of the era. With a gorgeous palette of vibrant, captivating characters, Vreeland paints their lives, loves, losses, and triumphs so vividly that "the painting literally comes alive" (The Boston Globe).

Zakup książki

Luncheon of the Boating Party, Susan Vreeland

Język
Rok wydania
2008
Oprawa
(miękka)
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Metody płatności

3,7
Bardzo dobra
462 Ocena

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Tytuł
Luncheon of the Boating Party
Język
angielski
Rok wydania
2008
Oprawa
miękka
Liczba stron
448
ISBN10
0143113526
ISBN13
9780143113522
Seria
Kategorie
Oryginalna nazwa
Luncheon of the boating party
Ocena
3,7 z 5
Opis
From the bestelling author of GIRL IN HYACINTH BLUE, "A vivid exploration of one of the most beloved Renoir paintings in the world, done with a flourish worthy of Renoir himself" (USA Today) With her richly textured novels, Susan Vreeland has offered pioneering portraits of artists' lives. As she did in Girl in Hyacinth Blue, Vreeland focuses on a single painting, Auguste Renoir's instantly recognizable masterpiece, which depicts a gathering of Renoir's real friends enjoying a summer Sunday on a café terrace along the Seine. Narrated by Renoir and seven of the models, the novel illuminates the gusto, hedonism, and art of the era. With a gorgeous palette of vibrant, captivating characters, Vreeland paints their lives, loves, losses, and triumphs so vividly that "the painting literally comes alive" (The Boston Globe).