Bookbot

Stranger Music

Selected Poems and Songs

Ocena książki

Więcej o książce

The publication of *Stranger Music: Selected Poems & Songs* brought Leonard Cohen's poetry back into prominence, previously overshadowed by his recording career. His poems resonate with fans of his music and novels, showcasing the same cynical romanticism, morbid eroticism, and ironic humor. Many are spare and declamatory, relying on vivid imagery and the speaker's wryness. For instance, the opening lines of "The Drawer's Condition on November 28, 1961" exemplify this style: "Is there anything emptier/ than the drawer where/you used to store your opium?...". Cohen's old-fashioned bardic quality makes it hard to believe he shares a literary landscape with postmodern experimentalism. His richly lyrical poems naturally transitioned into songwriting, though published lyrics often lack the impact of their musical counterparts. Even his best songs, like "Suzanne" and "Anthem," lose intensity on paper. *Stranger Music* encompasses material from nearly all his significant works, including his experimental novel *Beautiful Losers*. Since 1983's *Book of Mercy*, Cohen has published little new material, making *Stranger Music* the definitive collection of his work for the foreseeable future.

Zakup książki

Stranger Music, Leonard Cohen

Język
Rok wydania
1994
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,4
Bardzo dobra
2548 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Stranger Music
Podtytuł
Selected Poems and Songs
Język
angielski
Rok wydania
1994
Oprawa
miękka
Liczba stron
432
ISBN10
0771022328
ISBN13
9780771022326
Seria
Pierwsze wydanie
1993
Oryginalna nazwa
Stranger Music
Ocena
4,4 z 5
Opis
The publication of *Stranger Music: Selected Poems & Songs* brought Leonard Cohen's poetry back into prominence, previously overshadowed by his recording career. His poems resonate with fans of his music and novels, showcasing the same cynical romanticism, morbid eroticism, and ironic humor. Many are spare and declamatory, relying on vivid imagery and the speaker's wryness. For instance, the opening lines of "The Drawer's Condition on November 28, 1961" exemplify this style: "Is there anything emptier/ than the drawer where/you used to store your opium?...". Cohen's old-fashioned bardic quality makes it hard to believe he shares a literary landscape with postmodern experimentalism. His richly lyrical poems naturally transitioned into songwriting, though published lyrics often lack the impact of their musical counterparts. Even his best songs, like "Suzanne" and "Anthem," lose intensity on paper. *Stranger Music* encompasses material from nearly all his significant works, including his experimental novel *Beautiful Losers*. Since 1983's *Book of Mercy*, Cohen has published little new material, making *Stranger Music* the definitive collection of his work for the foreseeable future.