Bookbot

Huang Po-Chih. Blue Elephant

Ausst. Kat. mumok – Museum moderner Kunst Stiftung Ludwig Wien, 2021/22

Ocena książki

Parametry

  • 160 stron
  • 6 godzin czytania

Więcej o książce

Huang Po-Chih's presentation at mumok is centered around the multi-part work series Production Line : Made in China & Made in Taiwan (2014-21). Based on his essay Blue Skin: Mama's Story (2011-13), in which he recounts his mother's eventful working life, Huang's series addresses the rise and fall of Taiwanese textile production and its incremental outsourcing to Shenzhen, China. Huang's mother and other former, now unemployed textile workers participated in this project as hands for a makeshift denim-shirt production line that leads from Shenzhen back to Taipei. Huang used the platforms of the Shenzhen Sculpture Biennale (2014) and the Taipei Biennial (2014), where the shirts were produced and sold in several production steps, to investigate how "art (in the form of commodities or events) can initiate new meanings and definitions within complex social relationships." Text: Karola Kraus, Heike Eipeldauer, Huang Po-Chih, Amy Cheng

Zakup książki

Huang Po-Chih. Blue Elephant, Mumok Eipeldauer

Język
Rok wydania
2021
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,0
Bardzo dobra
1 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Huang Po-Chih. Blue Elephant
Podtytuł
Ausst. Kat. mumok – Museum moderner Kunst Stiftung Ludwig Wien, 2021/22
Język
angielski
Rok wydania
2021
Oprawa
miękka
Liczba stron
160
ISBN10
3753301523
ISBN13
9783753301525
Seria
Ocena
4 z 5
Opis
Huang Po-Chih's presentation at mumok is centered around the multi-part work series Production Line : Made in China & Made in Taiwan (2014-21). Based on his essay Blue Skin: Mama's Story (2011-13), in which he recounts his mother's eventful working life, Huang's series addresses the rise and fall of Taiwanese textile production and its incremental outsourcing to Shenzhen, China. Huang's mother and other former, now unemployed textile workers participated in this project as hands for a makeshift denim-shirt production line that leads from Shenzhen back to Taipei. Huang used the platforms of the Shenzhen Sculpture Biennale (2014) and the Taipei Biennial (2014), where the shirts were produced and sold in several production steps, to investigate how "art (in the form of commodities or events) can initiate new meanings and definitions within complex social relationships." Text: Karola Kraus, Heike Eipeldauer, Huang Po-Chih, Amy Cheng